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    <loc>https://www.casadeduende.com/collaborations</loc>
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      <image:title>COLLABORATIONS</image:title>
      <image:caption>Ni Tan Divas Ni Tan Muertas, a three women play starring Tanaquil Marquez, Yajaira Paredes, and Veronica Ponce de Leon.</image:caption>
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      <image:title>COLLABORATIONS</image:title>
      <image:caption>A Celebration and Fundraiser for the 20th Anniversary of Cascarones Por la Vida.</image:caption>
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      <image:title>COLLABORATIONS</image:title>
      <image:caption>A collaboration between Casa de Duende and Pasion y Arte Flamenco on the influence of the Duende on Art and Dance.</image:caption>
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      <image:title>COLLABORATIONS</image:title>
      <image:caption>A collaboration between Scribe Video Center, the Open Kitchen Sculpture Garden and Casa de Duende.</image:caption>
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      <image:title>COLLABORATIONS</image:title>
      <image:caption>A collaboration between Scribe Video Center, the Open Kitchen Sculpture Garden and Casa de Duende.</image:caption>
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      <image:title>COLLABORATIONS</image:title>
      <image:caption>Literary Evening on Mexican Authors/ Noche Literaria sobre autores mexicanos/September 18, 2017, Was honored to be a part of the panel on Mexican Authors organized by the Mexican Consulate in Philadelphia discussing the work of Octavio Paz and Carlos Fuentes with Swarthmore Professor Emeritus Aurora Camacho Schmidt, Princeton professor of Spanish literature Nadia Cervantes, and the Mexican writer Carlos Jose Perez Sámano. With Humberto Cruz Guadarrama and Carolina Zuluaga of the Philadelphia Mexican Consulate.-- Charles Santore Library 932 South 7th St. Philadelphia, PA 19147.</image:caption>
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      <image:title>COLLABORATIONS</image:title>
      <image:caption>The Meaning of My Name, Collaboration between Dissident Bodies, Laboratorio Acciones Diversas and Casa de Dunede. February 25th, 2020.</image:caption>
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      <image:title>COLLABORATIONS</image:title>
      <image:caption>Dislocada Showcase, a screening of International Video Performance at City Arts Salon.</image:caption>
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      <image:title>COLLABORATIONS</image:title>
      <image:caption>Dislocada Showcase, a screening of International Video Performance at Cherry Street Pier.</image:caption>
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      <image:title>COLLABORATIONS</image:title>
      <image:caption>Directed video for Letter to My Father Letter to My Son, part of the Engaging Males of Color Initiative at First Person Arts funded by the City of Philadelphia Department of Behavioral Health and Intellectual disAbility Services.</image:caption>
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      <image:title>COLLABORATIONS</image:title>
      <image:caption>Guest editorial contributor to an international anthology on queer artists published by Balaclava Q in England.</image:caption>
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      <image:title>COLLABORATIONS</image:title>
      <image:caption>Covert to UN//TITLED Anthology. Guest editorial contributor to an international anthology on queer artists published by Balaclava Q in England.</image:caption>
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      <image:title>COLLABORATIONS</image:title>
      <image:caption>Worked with Amber Art and Design in leading poetry workshops for the Urban Heat Project led by Artists Eve Mosher and Jose Ortiz Pagan to develop language for a children's coloring book to educate and provide steps to address climate change and urban heat.</image:caption>
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      <image:title>COLLABORATIONS</image:title>
      <image:caption>Was delighted to participate as a panelist organized by We Are The Seeds, with other Native writers as part of the Philadelphia Theatre Company's Woolly Mammoth Theatre production of Where We Belong, by Madeline Sayet.</image:caption>
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      <image:title>COLLABORATIONS</image:title>
      <image:caption>A collaboration between Make Music Philly, The Open Kitchen Sculpture Garden, and Casa de Duende.</image:caption>
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      <image:title>COLLABORATIONS</image:title>
      <image:caption>Participant in the 4th Latin American Book Fair 2023.</image:caption>
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      <image:title>COLLABORATIONS</image:title>
      <image:caption>Panel of local authors @ the closing of the Latin American Book fair @ Taller Puertorriqueño with Aida Waserstein &amp; David Acosta and moderated by Jesenia De Moya Correa.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/beae0e41-39a5-41b7-9a54-13a4b18f63b3/IMG_7973.jpg</image:loc>
      <image:title>COLLABORATIONS</image:title>
      <image:caption>A night honoring Latinx artists working in community for their contributions to creating art and artistic opportunities in Philadelphia's latin neighborhoods.</image:caption>
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      <image:title>COLLABORATIONS</image:title>
      <image:caption>Reading as part of the Moonstone Poetry Series. Wednesday November 23, 2022 7PM –Live at Fergie's Pub, 1214 Sansom Street</image:caption>
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      <image:title>COLLABORATIONS</image:title>
      <image:caption>Poetry reading organized by Casa de Duende in collaboration with the Free Library of Philadelphia for National Poetry Month.</image:caption>
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      <image:title>COLLABORATIONS</image:title>
      <image:caption>Poetry reading organized by Casa de Duende in collaboration with the Free Library of Philadelphia for National Poetry Month.</image:caption>
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      <image:title>COLLABORATIONS</image:title>
      <image:caption>A social Practice exhibition offering community engagement, workshops, live music, poetry and performance by artists and community leaders. Curated by David Acosta, (Casa de Duende) and DVVA member artists: Bill Brookpver, Selene Nuñez-Cruz, Vicente Ortiz Cortez, and William Timmins.</image:caption>
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      <image:title>COLLABORATIONS</image:title>
      <image:caption>A social Practice exhibition offering community engagement, workshops, live music, poetry and performance by artists and community leaders. Curated by David Acosta, (Casa de Duende) and DVVA member artists: Bill Brookpver, Selene Nuñez-Cruz, Vicente Ortiz Cortez, and William Timmins.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/78ec0dd7-2198-46ca-96b7-4bb2330f1d89/IMG_1335.jpg</image:loc>
      <image:title>COLLABORATIONS</image:title>
      <image:caption>A social Practice exhibition offering community engagement, workshops, live music, poetry and performance by artists and community leaders. Curated by David Acosta, (Casa de Duende) and DVVA member artists: Bill Brookpver, Selene Nuñez-Cruz, Vicente Ortiz Cortez, and William Timmins.</image:caption>
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      <image:caption>An art community project encouraging local immigrants to share stories about their journey to Philadelphia.</image:caption>
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      <image:caption>An artistic collaboration spearheaded by Casa de Duende in collaboration with Veronica's Mexican Art, Mexican artist Brujo de La Mancha, and the Philadelphia Free Library. Developed and conceived by Veronica Ponce de Leon for children, the two-hour workshop taught puppet making using easily to obtain recycled materials. The workshop was aimed at children using art as a fundamental means for creative expression. Working Puppets engaged participants in the creation of puppets based on those careers the child was interested in pursuing and or those careers they are interested and or intrigued by as well as a discussion on puppet making as an artistic career. An example being the Muppets created by Jim Henson.</image:caption>
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      <image:caption>A Peruvian cultural evening paying homage to the life and work of great Peruvian Poet Cesar Vallejo on the 85th anniversary of his death. An evening of food, poetry, dance, and music. A conversation about Vallejo's poetry among the Peruvian Poet Roger Santivañez, Chilean Poet Miguel Bacho, and Colombian born poet, David Acosta. Performing Peru's national dance, La Marinera, award-winning Peruvian dance duo Carmen Ruiz and Ciro Pinto, and music by Philadelphia’s own Magdaliz Roura and her musical ensemble Crisol.</image:caption>
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      <image:caption>De Maricas, Mariposas y otros Bichos was a performance curated by Casa de Duende as part of an artistic collaboration between artists Felipe Chona and Mateo Sierra (Colombia) and David Acosta (United States), which presented through three different stories, an overview of queer history in the USA and Colombia during the last 50 years , and touched upon themes such as the AIDS epidemic, desire, sex, art, gay icons and the spaces we inhabit as communities which oftentimes exist on the margins. The work speaks of memory, sorrow and resilience and is part of the XV AVD international Performance Festival in Bogota Colombia.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/31c174af-b310-4d8d-a3a9-befd80eb33a5/IconosIcons+Honoring+Queer+Artist+Ancestors+and+Those+Who+Inspire+Us+Saturday%2C+November+4th%2C+2023+530+to+1000+Open+Kitchen+Sculpture+Garden+2241+N.+Phillip+Street%2C+Philadelphia%2C+PA+19133+Building+-4.png</image:loc>
      <image:title>COLLABORATIONS</image:title>
      <image:caption>A Night of the Dead Celebration honoring queer artists whose contributions to all facets of art made them icons. A collaboration between The Open Kitchen Sculpture Garden, Ollin Yoliztli Calmecac, and Casa de Duende.</image:caption>
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      <image:caption>La Cama Vacia/The Empty Bed, is a performance piece presented on December 1st, 2020 to mark World AIDs Day and Day Without Art. Written and directed by David Acosta The Empty Bed, is an elegy and a tribute to love, desire, death and the loss of thousands of gay men during the worst years of the AIDS epidemic, a loss of life among gay men coming of age in the late 70s, 80s, and 90s, in what came to be called the Lost Generation, men who came of age during a time of incredible loss, where death was a constant presence, as well as fear and anger at the lack of response from the government. The piece also celebrates the resilience of homosexual men who in the midst of this devastating epidemic never stopped loving, fighting, and who knew how to rescue desire in all its forms despite society's hatred and indifference. Dec 1st, 2023 @ Cuadrado Gris Gallery, San Juan Puerto Rico. #dislocada #cuadradogris, #dissidentbodies. Write and directed by David Acosta La pi</image:caption>
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      <image:caption>Save China Town Anthology, Moonstone Arts Center Press, 2024. Supported by the Save Chinatown Coalition, Editors David Acosta and Mia Kang.</image:caption>
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      <image:caption>Presentation of Peruvian poet Roger Santivañez's Anthology "Communion of the Saints, Collected Poems 1979-2018.</image:caption>
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      <image:caption>Presentation of the save Chinatown Poetry Anthology, Co-Edited by David Acosta and Mia Kang, as part of the community opposition efforts to the proposed building of a 76ers arena in Center City Philadelphia which would have presented an existential threat to Philadelphia's historic Chinatown.</image:caption>
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      <image:caption>Presentation of Fatal Force: Poetic Justice Anthology at Taller Puertorriqueño. Introduction to the Fatal Force: Poetic Justice Anthology The genesis of this anthology “Fatal Force; Poetic Justice” was born out of a poem written by the Puerto Rican poet Martin Espada on the murder of Eddie Irizarry, a young Puerto Rican man killed in Philadelphia by a police officer on August 14th, 2023. Espada’s poem titled “Officer Mark Dial, Who Shot Eddie Irizarry, Will Be Fired for Insubordination”, was based on a headline which appeared in the Philadelphia Inquirer on August 23, 2023. Outside of having the poem published by Moonstone Press and other literary publications, Martin wanted the poem to go a bit further and to mean something more substantial. Towards that end, Larry reached out to myself, and I proposed the anthology as a way to honor Martin’s wishes while creating a space for poets to address what is as evidenced by the poems included, a deeply personal and difficult subject matter. I also knew that I did not want to be the sole editor of the anthology, so I reached out to Ricardo Kearns, a journalist and poet whom I have known for decades who graciously agreed to co-edit this anthology with me. Sadly, as happens too frequently in cases of police violence against civilians, the judge threw out Eddie Irizarry’s case siding with the defense despite a mountain of evidence including police body camera footage which contradicted police accounts of what happened, and which led to the officers suspension and eventual dismissal from the Police Department. The execution style murder of Eddie Irizarry is of course just one in a long litany of names of individual men, women, teens and children, murdered by police. A primary purpose of poetry and its power is in naming. These poems do just that, giving voice to individuals, to families to communities and to difficult moments. The poems in this anthology are a testament to the impact that police brutality has had and continues to have on the lives of the poet as citizen, and on society at large. They are poems, full of anger, rage, despair, frustration, sadness, and hope. The poems in this anthology seek to make sense of the senseless, to bear witness, and to pay tribute to those lives lost, so it is no coincidence that the elegy, (that most beautiful of poetical forms) appears time and time again in these pages, it is how in poetry, since time immemorial, we poets have honored the lives, and the spirit of the dead, and give a small bit of comfort to the living. In solidarity, David Acosta and Ricardo Kearns.</image:caption>
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      <image:caption>Presentation and conversation with author Rebecca Davis on the release of her book Fierce Desires. A New History of Sex and Sexuality in America.</image:caption>
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      <image:title>COLLABORATIONS</image:title>
      <image:caption>A collaboration in celebration of the day of the dead between The Open Kitchen Sculpture Garden, Ollin Yolizitli Calmecac, and Casa de Duende.</image:caption>
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      <image:caption>Co presentation and conversation with co -host Lucas Iberia Lozada, speaking to Francisco Font Acevedo on hi new book Pasion Frontera@ Imperfect Gallery in Philadelphia.</image:caption>
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      <image:caption>Capital and the City. A poetry reading and discussion on poetry inspired by the city @ Making World Bookstore, with visiting poets from Mexico City, Tania Favela, and Luis Verdejo.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/2296fc8f-5c22-4206-bbe2-e38179ba1133/Speaking+in+Tongues.png</image:loc>
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      <image:caption>A panel presentation on the art of translation at the Independence Branch Library of Philadelphia with poets Lynn Levin and Miguel Bacho on the process of translating poetry from Spanish to English. Speaking in tongues was a collaboration between Casa de Duende, the Philadelphia Latin American book Fair and the Free Library of Philadelphia. Miguel Bacho was born in Iquique, Chile, in 1986. He has published the poetry collections Papeles Sueltos (Loose Papers) (Edunla, 2013, Argentina), Labores (Labors), (Sismo, 2022, Iquique, Chile) and Desayuno Continental (Continental Breakfast), (Attack Bear Press, Massachusetts, 2023). In 2018 he collaborated with the digital magazine Vice-Versa in the Urban Chronicles section of the journal and has participated in various initiatives and festivals in Western Massachusetts and Philadelphia. He currently resides in Ewing, New Jersey. Lynn Levin is a poet, writer, and translator, from the Spanish, of Birds on the Kiswar Tree (2Leaf Press), a collection of poems by the Peruvian Andean poet Odi Gonzales. The book, a bilingual edition, has been hailed by Poetry International as “a luminous collection of poems based on subversive and syncretistic church art…an outstanding translation by poet Lynn Levin.” Lynn Levin’s poems, short stories, essays, and translations appear widely. Her other recent books include the short story collection House Parties and the poetry collections The Minor Virtues and Miss Plastique. She is the co-author of the acclaimed creative writing textbook Poems for the Writing: Prompts for Poets. She teaches at Drexel University. Her website is lynnlevinpoet.com.</image:caption>
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      <image:title>COLLABORATIONS</image:title>
      <image:caption>A collaboration between Casa de Duende and Seeds of Al Bustan in celebration of both Arabic heritage and the importance of poetry in the art and culture of the Arab world, featuring the Philadelphia based poet and teacher Ahmad Allmalah.</image:caption>
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      <image:title>COLLABORATIONS</image:title>
      <image:caption>Casa de Duende spearheaded and organized, a musical concert fundraiser for famine relief in Gaza in collaboration with Desobediencia Records, Seeds of Al Bustan, Gaza Soup Kitchen, (USA/Gaza), and UNRWA. The concert featured an educational musical tour through Latin Americas diverse music. With musical performances by three of the most important Latin American bands in Philadelphia: Tierra Caliente, los Guachinangos, &amp; Suena Cimarrón. The concert benefiting Gaza Soup Kitchen's work to provide meals for Palestinians in Gaza raised $5,642.52 dollars in one single evening.</image:caption>
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  <url>
    <loc>https://www.casadeduende.com/advisory-board-1</loc>
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    <lastmod>2025-12-17</lastmod>
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      <image:title>Advisory Board</image:title>
      <image:caption>Eric Cortes is a seasoned professional with over a decade of experience in communications and marketing. His career has been marked by a strong track record of successfully executing national marketing strategies, overseeing content planning, social engagement monitoring, data analysis, and staying at the forefront of digital campaign trends. Cortes has consistently demonstrated his ability to enhance brand engagement with target audiences and to provide invaluable social media guidance to key stakeholders. Currently, he holds the position of Senior Director of Social at Visit Philadelphia, where he takes charge of both organic, paid and influencer strategies. Throughout his career, Cortes has executed comprehensive marketing, public relations, and social media strategies for a diverse range of industries. Notable organizations in his portfolio include VISIT PHILADELPHIA (2008-2011), Hobsons/PowerSchool, Atlantic City Alliance, American Diabetes Association, National Cancer Institute, Amtrak, and more. His remarkable contributions were particularly evident in his role on the 2020 Census campaign, which was recognized by Twitter as the "Best campaign for pivoting when it counts," and played a pivotal role in encouraging the Hispanic community to complete their census forms. In recognition of his outstanding work and contributions, Eric Cortes has received prestigious awards, underscoring his influence and dedication. In 2010, he was honored as one of the "Delaware Valley's Most Influential Latinos" at an event organized by the Philadelphia Multicultural Affairs Congress and Impacto Latin Newspaper. In 2011, he further solidified his reputation in the industry by earning the Hispanic Professional of the Year Award, one of the esteemed Excelencia Hispanic Business Awards presented annually by the Greater Philadelphia Hispanic Chamber of Commerce. In addition, Eric Cortes has recently received two notable accolades in 2023. He was recognized as one of the "2023 Philadelphia Forty Under 40" by City and State, highlighting his continued impact in the field of communications and marketing. Furthermore, he was also honored as one of the five Colombians celebrated by El Sol Latino Newspaper, showcasing his ongoing contributions to Philadelphia’s Latino community and beyond. Eric Cortes continues to excel in his field and remains a prominent figure in the industry. Eric’s work in Visit Philadelphia garnered his team two Social Media Marketing Awards presented by The Social Shake-Up for Best Year-Round Instagram Presence and Best Mid-Tier Influencer Campaign. His team also took home the Best Social Media Enabled PR Campaign at the 2023 Social Media Masters PHL Awards presented by Social Media Day PHL. Eric Cortes holds a bachelor’s degree in journalism from Temple University and a master's degree in Writing Studies from St. Joseph's University. His commitment to professional growth is evident through his completion of a graduate certificate in Professional Writing at Old Dominion University in the fall of 2019.</image:caption>
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      <image:title>Advisory Board</image:title>
      <image:caption>Thora Jacobson is a visual arts management consultant focusing on systems development, project and program design and reflection on contemporary craft and printmaking. In recent years, she has also been an independent curator, having organized an exhibition at InLiquid in 2019 of materials-based artists who have taught in Philadelphia area art schools and influenced generations of students. In September 2020, she juried CRAFT! – the Da Vinci Art Alliance’s first contemporary all-craft exhibition in its 89-year history. She retired from full time employment in January 2018 when the Philadelphia Art Alliance, where she had been Executive Director for four years, became part of the University of the Arts. For three years prior to her tenure at the Art Alliance, she worked at Mural Arts Philadelphia where she served as Director of Design Review and managed the development and publication of Mural Arts @ 30 that examined the expansion and growing complexity of that organization over its first three decades. Between 2009 and 2010, Jacobson conducted a small research project for the Social Impact of the Arts Project at the University of Pennsylvania on “natural” cultural districts in South Philadelphia and created a strategic plan for the Asian Arts Initiative. From the end of 2008 to June 2010 Thora served as Chief Operating Officer at Mural Arts Philadelphia for two years and for three years before that, she was COO for the inaugural iteration of Philagrafika 2010, the first international festival of the printed image in Philadelphia. From 1972 to 2006, she was on staff of Philadelphia’s Samuel S. Fleisher Art Memorial, serving as its Chief Executive Officer for 23 of those years. There she created and developed both the Challenge Exhibitions (now known as the Wind Challenge since 2005), completed three major capital projects, and built out Fleisher’s Community Partnership in the Arts, working with local elementary schools and local community- based organizations to expand Fleisher’s participation in and collaboration with Southeast Philadelphia neighbors. Jacobson also chaired the Philadelphia Art Commission from 1992 to 2001 and was a Trustee and Officer of the National Guild of Community Arts Education from 2001 to 2009. In 2006, Jacobson was honored by Tri-State Artists Equity for her service to the arts community, and by Moore College of Art and Design with the Visionary Woman Award which she shared with art historian Linda Nochlin and photographer, the late, great Mary Ellen Mark. Thora is an avid collector of art. July 2025</image:caption>
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      <image:title>Advisory Board</image:title>
      <image:caption>Theodore A. Harris (1966-) is a Philadelphia-based visual artist and poet. His work has been exhibited nationally and internationally and is in private and public collections such as Libraries and Museum University of Delaware, Fort Garland Museum and Cultural Center, University of New Mexico Art Museum, Saint Louis University Museum of Art, La Salle University Art Museum, Pennsylvania Academy of the Fine Arts, McGill University Visual Arts Collection, Center for Africana Studies; University of Pennsylvania, Kislak Center Rare Books and Manuscript Library; University of Pennsylvania, and the Petrucci Family Foundation Collection of African American Art, and the Winston and Carolyn Lowe Collection. Harris is the co-founder of the Anti-Graffiti Network/Philadelphia Mural Arts Program. Harris has also co-authored and authored books including Our Flesh of Flames (2019), Malcolm X as Ideology (2008) with Amiri Baraka, TRIPTYCH with Amiri Baraka and Jack Hirschman (2011), i ran from it and was still in it with Fred Moten (2007), and Thesentür: Conscientious Objector to Formalism (2017). He is the Founding Artistic Director of the Institute for Advanced Study in Black Aesthetics. He is a 2022 Visual Artist Fellow CFEVA (Center For Emerging Visual Artists).</image:caption>
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      <image:title>Advisory Board</image:title>
      <image:caption>Erme Maula, RN, MSN, has almost 30 years of experience in public and community health in Philadelphia. Her career has taken her from issues in maternal and child health, HIV/AIDS programming and advocacy, physical health and rehabilitation, mental health and recovery, primary care, and full spectrum doula work. She is grounded in social justice and strives to support everyone moving forward in their lives, regardless of their challenges. She believes that everything is interconnected; by understanding our woven histories, we can begin to work to dismantle oppression and work toward a just world. Her literary work includes creating space for Asian poets and managing The Grind — a volunteer accountability project reaching out to almost 2000 writers monthly. Her published work can be found most recently in Kundiman/Asian American Feminist Collective’s zine To Us and Ours, Write Now!; In The Future There Are No Hospitals by care worker writers, and Save Chinatown A Poetry Anthology edited by David Acosta and Mia Kang. When not attending community meetings, Erme can often be found cooking, baking, gardening, watching movies, crafting, or conspiring on how to make a better Philadelphia.</image:caption>
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    <lastmod>2026-01-24</lastmod>
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      <image:title>Wifredo Lam Juan Castillo Collection - Make it stand out</image:title>
      <image:caption>Portrait of Wilfredo Lam by Denise Colomb, 1954.</image:caption>
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    <loc>https://www.casadeduende.com/dos-lenguas-press</loc>
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    <lastmod>2026-01-19</lastmod>
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    <loc>https://www.casadeduende.com/exhibitions-past</loc>
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    <lastmod>2026-01-13</lastmod>
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    <lastmod>2024-03-02</lastmod>
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      <image:title>Past Exhibitions &amp; Programs - I Look at the World, Ada Trillo and Isaac Scott</image:title>
      <image:caption>Barbed Wire at the-Border, Digital Photograph, 20 X 30, 2020. After sleeping in a wasteland by the Guatemala/Mexico border, José, a 6-year-old migrant child traveling with his father from Honduras, is waiting patiently at 3 A.M. to start his journey across the border into Mexico via the Suchiate River. Two days prior, the Caravan attempted to cross into Mexican territory via the Suchiate River, and the Mexican National Guard carrying semi-automatic rifles mobilized, trying to target the groups and detaining people where they could.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - I Look at the World, Ada Trillo and Isaac Scott</image:title>
      <image:caption>October 26, 2020, Conestoga and Pine, Digital Photograph, 20 X 30. Following the shooting of Walter Wallace Jr, community members took to the streets to demand the two officers responsible (Sean Matarazzo and Thomas Munz) would be held accountable.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - I Look at the World, Ada Trillo and Isaac Scott</image:title>
      <image:caption>National Guard Troops, Digital Photographs, 20 X 30, 2020. This is the newly formed Guardia Nacional, established in 2019 and deployed to the border because of Trump's tariffs on Mexican goods. The Marines surrounded the caravan to deter their journey north. They tear-gassed migrants- including women and children as they arrived at the Border.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - I Look at the World, Ada Trillo and Isaac Scott</image:title>
      <image:caption>July 5, 2020. I-676 Broad St Entrance, Digital Photograph, 20 X 30. Protesters flow into the interstate that runs through center city Philadelphia.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - I Look at the World, Ada Trillo and Isaac Scott</image:title>
      <image:caption>Sleeping by the River, Digital Photograph, 20 X 30, 2020. One-year-old boy, Elan, sleeps on top of a sack by the river. He is traveling with his four-year-old sister and their parents. His parents are running away from death threats in their hometown. The caravan is being blocked at the Suchiate River by the Mexican Government, and the migrants are forced to set up camp on the Guatemalan side. Little Elan must be stripped of his clothes by his mother before he can be comfortable enough to sleep in the brutal 88-degree heat.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - I Look at the World, Ada Trillo and Isaac Scott</image:title>
      <image:caption>June 3, 2020, 22nd and Benjamin Franklin Parkway, Digital Photograph, 20 X30.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - I Look at the World, Ada Trillo and Isaac Scott</image:title>
      <image:caption>The Migrant Camps, Tapachula, Mexico. Digital Photograph, 20 X 30, 2020. The migrants set up camps consisting of self-made tents on the ground and use disassembled cardboard boxes as beds. There is no food served; it is not a shelter. Migrants share their food with those that have no money to buy their own.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - I Look at the World, Ada Trillo and Isaac Scott</image:title>
      <image:caption>June 4, 2020, Broad Street and John F. K. Blvd, Digital Photograph, 20 X 30. National Guard troops at city hall</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - I Look at the World, Ada Trillo and Isaac Scott</image:title>
      <image:caption>LGBTQ Asylum Seekers At the Border, Ciudad Hidalgo, Digital Photograph, 20 X 30, 2020. Ciudad Hidalgo, Border with Guatemala a group of asylum seekers from Honduras was attacked by the Mexican National guard, the guards were acting under orders from the Mexican government who were being pressured by Trump's demands for Mexico to join law enforcement to fight, detain and deport those coming towards the U.S.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - I Look at the World, Ada Trillo and Isaac Scott</image:title>
      <image:caption>June 4, 2020, Philadelphia Museum of Art, Digital Photograph, 20 X 30. Protesters lay on the ground for 8:46 minutes in a moment of silence in honor of George Floyd.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - I Look at the World, Ada Trillo and Isaac Scott</image:title>
      <image:caption>Crossing the Suchiate River, Digital Photograph, 20 X 30, 2020. Migrants from Honduras cross the Suchiate River, as they pass through Guatemala to Mexico. Two days prior, the Mexican Government tear-gassed a group of 500 migrants who arrived at the Border and attempted to wade across the river into Mexico. Despite this event, the caravan persisted. Out of desperation, they tried crossing the river again. This time they succeeded and pushed forward several miles into Mexico.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - I Look at the World, Ada Trillo and Isaac Scott</image:title>
      <image:caption>June 6, 2020, 21st and Spring Garden, Digital Photograph, 20 X 30.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - I Look at the World, Ada Trillo and Isaac Scott</image:title>
      <image:caption>Maria Fernanda, Huixla, Mexico, Digital Photograph, 20 X 30, 2020. Maria Fernanda, age 15, was dressed as a young man to protect herself during her journey. She believed that if people thought she was a young man, she would be safer. Just as when she was seven and living on the streets, she did whatever was necessary to survive. Many women and children traveling alone suffer from violence. However, most victims fear they will be deported if they report the crimes, which are often done by the authorities or coyotes (smugglers). Maria Fernanda was unsuccessful in seeking asylum in the U.S. and was deported back to Honduras. She was killed this year by the gangs. That same day 3 other members of the LGBTQ community in Honduras were also murdered.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - I Look at the World, Ada Trillo and Isaac Scott</image:title>
      <image:caption>June 6, 2020, 21st Street and Benjamin Franklin Parkway, Digital Photograph, 20 X 30.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - I Look at the World, Ada Trillo and Isaac Scott</image:title>
      <image:caption>Seeking Asylum, Digital Photograph, 20 X 30, 2020. November 22nd, 2018. Tijuana, Mexico. Taken at the San Ysidro border, this picture depicts a mother and her child within 500 feet of the U.S. border in Tijuana. After travelling over 2,700 miles from Honduras, migrants had been placed by Mexican officials into a makeshift shelter in a converted open-air sports arena. They awoke hungry on Thanksgiving Day, as rain worsened the unsanitary conditions in the already-packed shelter. Migrants then walked to the border, attempting to present themselves as asylum seekers to the US immigration authorities, but instead were met with a human barrier formed by Mexican police blocking the pedestrian walkway. Municipal authorities in Tijuana have said they are unequipped to handle the growing numbers of refugees seeking asylum both in the United States and Mexico. The latest numbers have 6,219 migrants based in Tijuana with an additional 1,669 migrants trekking toward Baja California from the Mexican states of Jalisco, Nayarit, and Sinaloa.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - I Look at the World, Ada Trillo and Isaac Scott</image:title>
      <image:caption>June 6, 2020, Philadelphia Museum of Art, Digital Photograph, 20 X 30. A breakdance cypher was organized by local B-Boys and B-Girls to show solidarity during protests.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/1f496dca-7e87-45b2-92c2-f1092db01712/Ada_Trillo_Women_Under_La_Bestia_+copy.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - I Look at the World, Ada Trillo and Isaac Scott</image:title>
      <image:caption>Apizaco, Mexico, Digital Photograph, 20 X 30, 2020. A group of three women rests under the train the "Beast" waiting for it to leave for the next town until they reach the border. As many as half a million Central American migrants annually hop aboard freight trains colloquially known as ‘La Bestia’ (The Beast) on their journey through Mexico to the United States. They sit atop and grip the sides of La Bestia’s screeching steel railcars, facing accidental amputation or death if they slip. At each stage of the journey, migrants are subject to extortion, theft, rape, and even murder if they fail to pay “protection” fees established by gangs and cartels that control the route north. Gang members have been known to push migrants off moving trains if they’re unable to pay. Sexual violence, particularly against migrant women, is also commonplace. Organized crime groups aren’t the only ones profiting off migrants aboard La Bestia. Some train conductors also take part in the chain of extortion by demanding bribes, particularly of women and families with young children. Since most migrants riding La Bestia are traveling without proper documents, and because Mexican authorities often participate in the abuse, most crimes that happen along the tracks go unreported.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - I Look at the World, Ada Trillo and Isaac Scott</image:title>
      <image:caption>October 26, 2020, 55th &amp; Pine Sts, Digital Photograph, 30 X 45. Police car set on fire during civil unrest following the shooting of Walter Wallace. October 26, 2020. 52nd St and Chestnut St, Digital photograph on 30x45</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - I Look at the World, Ada Trillo and Isaac Scott</image:title>
      <image:caption>Joel Crosses the Suchiate River, Digital Photograph, 20 X 30, 2020. The Migrant Caravan successfully crossed the Suchiate River from Guatemala to Mexico. Having traveled across two countries in eight days, Joel, a Honduran Migrant with one leg, makes his way across the river with crutches, trying to keep up with the caravan.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - I Look at the World, Ada Trillo and Isaac Scott</image:title>
      <image:caption>October 26, 2020, 55th and Pine, Digital Photograph, 20 X 30. Protester arrested during civil unrest following the fatal shooting of Walter Wallace Jr. by two white police officers. October 26, 2020. 55th and Pine Sts, Digital Photograph</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - I Look at the World, Ada Trillo and Isaac Scott</image:title>
      <image:caption>June 13, 2020, 57th and Pine, Digital Photograph, 20 X 30, Members of the Move Organization organized a protest calling for the release of members of their group as well as other political prisoners such as Mumia Abu-Jamal and Russell Maroon Shoatz. The protest marched past 6221 Osage Ave: the site of the Move Bombing in 1985.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - I Look at the World, Ada Trillo and Isaac Scott</image:title>
      <image:caption>Cruzando en Lanchas, Digital Photograph, 20 X 30, 2020. Migrants crossing the river on improvised rafts made from found and salvaged materials.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - I Look at the World, Ada Trillo and Isaac Scott</image:title>
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      <image:title>Past Exhibitions &amp; Programs - Conversaciones con Manuel: The Queer Legacy of Manuel Ramos Otero</image:title>
      <image:caption>Locas Rabiosas, Handmade Ceramic Banner, Gerard Silva.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - Conversaciones con Manuel: The Queer Legacy of Manuel Ramos Otero</image:title>
      <image:caption>Maricon Y Pato Chulo, Handmade Ceramic Banner, Gerad Sylva.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - Conversaciones con Manuel: The Queer Legacy of Manuel Ramos Otero</image:title>
      <image:caption>Gay Rosary, String, Wooden Beads, with Ceramic Heart , Gerad Sylva.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - Conversaciones con Manuel: The Queer Legacy of Manuel Ramos Otero</image:title>
      <image:caption>Puerto Rican LGBTQ + Piñata, Mixed Media, Gerard Sylva.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - Conversaciones con Manuel: The Queer Legacy of Manuel Ramos Otero</image:title>
      <image:caption>Puerto Rican LGBTQ + Piñata, Mixed Media, Gerard Sylva.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - Conversaciones con Manuel: The Queer Legacy of Manuel Ramos Otero</image:title>
      <image:caption>Angel with Clipped Wings, Hand Painted Silk Screen, Daniel de Jesus,</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - Conversaciones con Manuel: The Queer Legacy of Manuel Ramos Otero</image:title>
      <image:caption>El Tecato, Hand Painted Silk Screen, Daniel de Jesus</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - Conversaciones con Manuel: The Queer Legacy of Manuel Ramos Otero</image:title>
      <image:caption>Tomb of Sadness, Hand Painted Silk Screen, Daniel de Jesus.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - Conversaciones con Manuel: The Queer Legacy of Manuel Ramos Otero</image:title>
      <image:caption>El Bugarron, Hand Painted Silk Screen, Daniel de Jesus.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - Conversaciones con Manuel: The Queer Legacy of Manuel Ramos Otero</image:title>
      <image:caption>Free, Acrylic on Canvas, Jose Luis Cortez,</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - Conversaciones con Manuel: The Queer Legacy of Manuel Ramos Otero</image:title>
      <image:caption>Sex Add, (From the Sex Add Series), Acrylic on Newspaper, Jose Luis Cortez.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - Conversaciones con Manuel: The Queer Legacy of Manuel Ramos Otero</image:title>
      <image:caption>Mark Rothko, (From the Sex Ad Series), Acrylic on Newspaper, Jose Luis Cortes.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - Conversaciones con Manuel: The Queer Legacy of Manuel Ramos Otero</image:title>
      <image:caption>Untitled, Mixed Media on Wood, Jose Luis Cortez.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - Conversaciones con Manuel: The Queer Legacy of Manuel Ramos Otero</image:title>
      <image:caption>Untitled, Mixed Media on Wood, Jose Luis Cortez.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - Conversaciones con Manuel: The Queer Legacy of Manuel Ramos Otero</image:title>
      <image:caption>Still from the film. Criando un Pato/Raising a Fag. (2015)</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - Conversaciones con Manuel: The Queer Legacy of Manuel Ramos Otero</image:title>
      <image:caption>Still from the film. Criando un Pato/Raising a Fag. (2015)</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - Conversaciones con Manuel: The Queer Legacy of Manuel Ramos Otero</image:title>
      <image:caption>Still from the film. Criando un Pato/Raising a Fag. (2015)</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - Conversaciones con Manuel: The Queer Legacy of Manuel Ramos Otero</image:title>
      <image:caption>Still from the film. Criando un Pato/Raising a Fag. (2015).</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - Conversaciones con Manuel: The Queer Legacy of Manuel Ramos Otero</image:title>
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      <image:title>Past Exhibitions &amp; Programs - Conversaciones con Manuel: The Queer Legacy of Manuel Ramos Otero</image:title>
      <image:caption>Live Performance by Jose Luis Cortez, The Unmaking Of a Master, Opening Reception, June 1st, 2024, Da Vinci Art Gallery.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - Conversaciones con Manuel: The Queer Legacy of Manuel Ramos Otero</image:title>
      <image:caption>Live Performance by Jose Luis Cortez, The Unmaking Of a Master, Opening Reception, June 1st, 2024, Da Vinci Art Gallery.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - Conversaciones con Manuel: The Queer Legacy of Manuel Ramos Otero</image:title>
      <image:caption>Live Performance by Jose Luis Cortez, The Unmaking Of a Master, Opening Reception, June 1st, 2024, Da Vinci Art Gallery.</image:caption>
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      <image:caption>Live Performance by Jose Luis Cortez, The Unmaking Of a Master, Opening Reception, June 1st, 2024, Da Vinci Art Gallery.</image:caption>
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      <image:caption>Live Performance by Jose Luis Cortez, The Unmaking Of a Master, Opening Reception, June 1st, 2024, Da Vinci Art Gallery.</image:caption>
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    <lastmod>2022-02-15</lastmod>
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      <image:title>Past Exhibitions &amp; Programs - How Do I  Look? (2017)</image:title>
      <image:caption>“Sexuation”, 12” x 9” Assemblage The multiplicity of Gender, Willard Johnson.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - How Do I  Look? (2017)</image:title>
      <image:caption>"The Mean Reds Not the Blues" Watercolor and Acrylic on Paper 18" x 24", Aaron Kalliney.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - How Do I  Look? (2017)</image:title>
      <image:caption>Henry, Size: 40"x 30", Digital Inkjet print, Joe Arnold.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - How Do I  Look? (2017)</image:title>
      <image:caption>Phil, Size: 40" x 30", Digital Inkjet print, Joe Arnold.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - How Do I  Look? (2017)</image:title>
      <image:caption>Love at First Sight, 30 x 38 inches, Oil on canvas, George Apotsos.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/9c803458-a812-4dce-af08-03c3eefcb234/3_Cat_Gunn.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - How Do I  Look? (2017)</image:title>
      <image:caption>Andro 28, 17" x 14", Acrylic, oil, alkyd, and glitter on canvas on panel, Cat Gunn</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/0c23cd88-121e-4cec-b296-5c7871aad6ca/SelfPortrait200525x25.jpeg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - How Do I  Look? (2017)</image:title>
      <image:caption>Self Portrait, 25” x 25", oil on found wood, Thom Duffy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/4ed20283-ea90-4001-99b3-6e2af7b78757/2_Thom_Duffy.jpeg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - How Do I  Look? (2017)</image:title>
      <image:caption>Dion, 20” x 16”, oil on board, Thom Duffy.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/55fbdf35-f110-4fe5-a2ba-99cbd4d3d4cf/Martinez_TheInsatiables.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - How Do I  Look? (2017)</image:title>
      <image:caption>"Untitled Series (The Insatiables)", Prismacolor on archival inkjet print (unique print), 16.5" x 21.5", 2014, Gabriel Martinez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/ee85c500-766b-49b3-9433-d64c57ed465b/1.+Stiofan+O%27Ceallaigh+%2B447541236635+%27Decisions+Decisions%27+42x29.7cm+Photograph+Price+%C2%A3625+%282016%29-1.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - How Do I  Look? (2017)</image:title>
      <image:caption>Decisions Decisions (2016) 42 x 29.7cm Photograph, Stiofan O'Ceallaigh</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/22f41dd5-03fe-4a98-b3c9-99a42e5d0bc4/2_Ebony_Malaika_Collier.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - How Do I  Look? (2017)</image:title>
      <image:caption>"But There's No Black In The Rainbow? (Abstract Flag)". 8 in. x 10.5 in. Digital print. Ebony Malakia.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/1590a0f1-5e5f-4071-818a-901861df14b0/2.+Stiofan+OCeallaigh+%2B447541236635+%27Unselfy%27+50x50cm+Photograph+Price+%C2%A3525+%282015%29-1.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - How Do I  Look? (2017)</image:title>
      <image:caption>Unselfy (2015), 50 x 50 cm Photograph, Stiofan O'Ceallaigh.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/2112e5a2-9591-4a9a-9c6c-8fc8e66af497/IMG_1809.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - How Do I  Look? (2017)</image:title>
      <image:caption>"Self Portrait at 25", 12 x 12" oil on canvas, 2016, Santiago Galeas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/9a2b5e36-edd5-4719-abbf-179d6cf54126/1_Kevin_Broad.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - How Do I  Look? (2017)</image:title>
      <image:caption>"Bye Andy,", 23"x25", oil on paper, Kevin Broad.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/93e72195-29eb-4cf4-b57a-4b6768ceb607/2_Devon_Reiffer.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - How Do I  Look? (2017)</image:title>
      <image:caption>Bound to Barbasol, Charcoal and Gesso on Unstretched Canvas 55 x 24, Devon Reiffer.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/0748b388-dcca-4da3-be37-c67f0546dedc/Dancing+nudes.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - How Do I  Look? (2017)</image:title>
      <image:caption>Untitled, (1979), line drawing with pastels, 18 x 24, David Meade.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/49fe6eaa-6389-4f94-beff-be9642ec8ced/image4.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - How Do I  Look? (2017)</image:title>
      <image:caption>Are You Happy and You Know It 1, (2016), 36 x 36", Digital Print mounted on foam-core, Bennet Shipman.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/8dfc67fe-6dfd-4177-8d11-5ef5a6fdae35/+How+Do+I+Look+Closing+Reception.+Invitation+.png</image:loc>
      <image:title>Past Exhibitions &amp; Programs - How Do I  Look? (2017)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/1613933938606-U3GZ6ICBW6R3HV1GXG7H/image013.png</image:loc>
      <image:title>Past Exhibitions &amp; Programs - How Do I  Look? (2017)</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.casadeduende.com/exhibitions-past/into-the-woods</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-03-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/8c91204c-5a93-4d09-9914-120010b9a5fc/1+Guth+Acadia+II.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Into the Woods (2018)</image:title>
      <image:caption>Acadia II (I won't always be so young)" (2018) Acrylic and pencil on Irish linen 18.5" x 24", Andrew Guth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/d74162fb-5c2d-4db8-923b-f3c848c77c72/1_Lerner_SlimeCloud_detail+%281%29.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Into the Woods (2018)</image:title>
      <image:caption>Slime Cloud [Who Taught You What To Believe In?] (2017), Mixed media (Cardboard, foam, wool roving, model magic, Craft slime), 20” X 30”, Jess Lerner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/b07408f3-01fc-4ab8-b1d7-8c23809b68e0/1%2BIveyBoot1%2B2.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Into the Woods (2018)</image:title>
      <image:caption>Bachelor Bride, (2018), Wood, and Welded metal and cast bronze, 59" tall, 34" long, 18" wide, H. D. Ivey.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/9b873aa0-deaa-4e1a-8e90-b9677c0fcd84/2_Kravitz_TheGardenofTime.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Into the Woods (2018)</image:title>
      <image:caption>The Garden of Time, (2018), Watercolor, Gouache, Acrylic, and Archival Ink on Board, 11" x 14", Tristan Kravitz.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/50482eba-f7b6-4f89-b772-717064e473c5/1_larson_honeyboy.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Into the Woods (2018)</image:title>
      <image:caption>HoneyBoy, Acrylic, gouache, ink, collage, and paper on panel 18" x 24". Bobby Larson.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/5613ded4-af45-47a8-aa9e-3fbf244825e8/2_Zagitt_Adan_En_Eden.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Into the Woods (2018)</image:title>
      <image:caption>Cherry Blossom (2018), Photograph, 8” x 12” Pedro Zagitt.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/83664324-3163-4f3a-8924-7750e0a07036/1_Uta+Fellechner_Wings+at+Michfest.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Into the Woods (2018)</image:title>
      <image:caption>Wings at Michfest, Radical Feminist, Network Meeting (2016), Archival pigment Print 16 x 20", Uta Fellechner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/4ffb38ea-f0af-4638-a9b9-52fe44e41da4/2_Cole_MoonMagic%235.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Into the Woods (2018)</image:title>
      <image:caption>Moon Magic # 2, Oil on canvas, framed 17" x 26", Alden Cole.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/4eec2c09-6ae4-42fd-9fba-9f70537e66ec/1_Sabate_into_the_green.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Into the Woods (2018)</image:title>
      <image:caption>Into The Green, (2015), Acrylic on Board, 20.5” x 15”, Jordi Sabate.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/453572f2-4bd4-4a3c-a026-9162ef8962e8/2_Ourma_QUEER+22+%28Cruising+Judy+Garland+Park%29.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Into the Woods (2018)</image:title>
      <image:caption>QUEER 21 (Cruising Betzwood) (2018), Oil &amp; acrylic on paper 14” x 17”, Janus Ourma.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/63a00406-5866-4d96-9522-ff4883d9b58d/2_Rhenals_Private+Albums+series%2C+%239.jpg.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Into the Woods (2018)</image:title>
      <image:caption>Private Album Series, #1 (2017), Colored pencils on Bristol paper 7.5” x 10”, Eddy Rhenals.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/158ad8c0-c90b-47c6-85a4-9d01a102486a/1+Marton.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Into the Woods (2018)</image:title>
      <image:caption>Into the Woods, Mikel Marton.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/226ed995-1ca9-4669-acd0-c653450c7a8d/1_cavalieri_Woods+%281%29.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Into the Woods (2018)</image:title>
      <image:caption>Into the Woods, (2017), White Calligraphy Ink over Black India Ink, Strathmore 148 lb, Grey Paper, 5 3/4" x 5 1/, Corliss Cavalieri.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/839ad870-c49b-40a7-8552-385f442de0ae/2+Walker%2C+Front+Bank+Trees.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Into the Woods (2018)</image:title>
      <image:caption>Untitled (Front Bank in Winter), ca. late 1960s Charcoal, 17” x 14”, David Meade Walker (1948-2012).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/d55273e3-f222-49e9-84bf-149122f63fe3/2_Gunn_Brotherhood+is+nice+for++those+who+are+afraid+to+sleep+alone.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Into the Woods (2018)</image:title>
      <image:caption>Brotherhood is nice for those who are afraid to sleep alone (2018), Gouache and spray paint on paper on frame panel, 13"x16.75", Cat Gunn.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/1614176826518-YQKBL4O0AZ8WO4UDKE8F/Into+the+Woods+We+Go+Social+Media+Post.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Into the Woods (2018)</image:title>
      <image:caption>Little Red Riding Hood and the Wolf  (1987), Acrylic on canvas board 18" x 14", Linda Lee Alter.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.casadeduende.com/exhibitions-past/studio-vega-drwbf</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/5f9f3989-67f5-44ff-b461-a9aa992d0f38/2_AdaTrillo_Rebirth+copy.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Caliban Revisited (2017)</image:title>
      <image:caption>Rebirth, (20” x 16”), Oil/18K gold leaf/screen print on wood panel, Ada Trillo.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/dda05569-3b3f-4de8-b1d8-9db64ed92b68/1_Brandon_Lopez.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Caliban Revisited (2017)</image:title>
      <image:caption>“Atl”. Glass, rope, steel hook, Brandon Lopez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/34097678-ea9f-4995-b73b-8fe4bbf9cf3f/2_Brandon_Lopez.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Caliban Revisited (2017)</image:title>
      <image:caption>“Atl”, Detail, Brandon Lopez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/247b1674-7e17-44ea-8d6a-2b08748287a1/1_Pedro_Zagitt.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Caliban Revisited (2017)</image:title>
      <image:caption>El Pagador de promesas, photograph, (11" x 14"), 2017, Pedro Zagitt.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/70a2bad0-5c4e-47c1-8b28-252a83894d6b/2_Pedro_Zagitt.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Caliban Revisited (2017)</image:title>
      <image:caption>El Pagador de promesas, photograph, (11" x 14"), 2017, Pedro Zagitt.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/802ebffd-b4b9-48d6-bd46-7ba915687b6c/IMG_8794.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Caliban Revisited (2017)</image:title>
      <image:caption>Rescue (18" x 12"), watercolor, 2015, Abel Vazquez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/f0e1afe0-1d77-4a1d-b8bf-b113c710745e/IMG_8791.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Caliban Revisited (2017)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/24066411-8fe2-491a-b967-c47be72df22e/IMG_8793.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Caliban Revisited (2017)</image:title>
      <image:caption>Chameleon (18" x 12"), watercolor, 2015. Abel Vazquez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/3df328b6-cf3a-4f19-8ab2-76e30b07ab0b/IMG_8795.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Caliban Revisited (2017)</image:title>
      <image:caption>Spirit with a Crown (18" x 12"), watercolor 2015, Abel Vazquez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/eef58cfb-46d3-4223-aba6-99bb829f4cca/3_marilyn_rodriguez.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Caliban Revisited (2017)</image:title>
      <image:caption>’Enlightment’, 2016, (40.5” X 30”), mixed media, Marilyn Rodriguez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/8a77148a-ab3c-4c43-9d4b-0b96f4c103b4/The-other-Wanadi.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Caliban Revisited (2017)</image:title>
      <image:caption>"The other Wanadi", Mixed media, Archival digital print, color pencils, acrylic, gold leaf. (36" x 27", Carlos A. Gil.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/0be17ad8-ea14-4eb4-a038-c66f73324cab/3_Paula_Meninato.jpg.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Caliban Revisited (2017)</image:title>
      <image:caption>Alice, Oil on Glass, (20" x 30"), 2015, Paula Meninato.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/4f4599e9-a7f6-4469-9a5a-df991a3a574d/1_Paula_Meninato.jpg.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Caliban Revisited (2017)</image:title>
      <image:caption>Carlos, Oil on Glass, (20" x 30"), 2015, Paula Meninato</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/0fde719a-1f5b-4510-8576-334e739c2042/2_Paula_Meninato.jpg.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Caliban Revisited (2017)</image:title>
      <image:caption>Daniel, Oil on Glass, (20" x 30"), 2015, Paula Meninato.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/d07a7656-cfa1-42ad-b696-30b970644b2a/3_Unanue_Jacqueline.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Caliban Revisited (2017)</image:title>
      <image:caption>Atacama VIII (30”x 40”), acrylic on canvas 2016, Jacqueline Unanue.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/1b525114-a4f5-46ee-b7d4-29d9042521eb/Daniel+Villarreal_Lady+Joy.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Caliban Revisited (2017)</image:title>
      <image:caption>Lady Joy, (20” x 30”), Acrylic, Daniel Villarreal.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/d693dfc4-7237-4ce5-9d1f-65baa4f05b13/IMG_8790.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Caliban Revisited (2017)</image:title>
      <image:caption>Leaf Reflection (16" x 16") Graphite and charcoal on paper, Melva Medina.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/7e00de64-5b5a-4288-97a5-8f4d51644c78/IMG_8788.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Caliban Revisited (2017)</image:title>
      <image:caption>Snails (16" x 16) Graphite and charcoal on paper, Melva Medina.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/b2e3a35e-5e46-4d6e-9762-fc56a27dec3c/Caliban+Revisited-2.png</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Caliban Revisited (2017)</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.casadeduende.com/exhibitions-past/specialists-3r9h5</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/cf5a5994-2be8-4a08-845e-f53764e796f3/Chad+States+A+Gift+for+the+Queens.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Chad States, (American, Born 1975) A Gift For the Queens, (2015), White marble, gold silk and concrete assemblage 8x24x24”.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/a9acacb5-6878-426a-9d64-098211f05ce3/DB2A6803.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Tableaux vivant Performance by Jonas Dos Santos &amp; Chantaphone Rajavong.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/2beabe71-dcc9-460b-9024-a22048776576/Link+Harper+LMJ.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Link Harper, Untitled, (2019), Ink jet print photograph (4), 21x17” (each).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/c5b0ce62-0f15-4278-858a-f3d6e1e106d0/DB2A6804.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Tableaux vivant Performance by Jonas Dos Santos &amp; Chantaphone Rajavong.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/4a0ff1de-bca8-437f-ba95-4c68bd1d7d25/IMGP3850.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Virgil Marti, (American, Born 1962) Wrestlers, (1994),Florescent ink &amp; rayon flock on Tyvek, 48x60”.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/90c28dcd-e980-4013-991e-dce235ca66bc/DB2A6805.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Tableaux vivant Performance by Jonas Dos Santos &amp; Chantaphone Rajavong.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/e8a4a808-0078-49ac-b4d3-b1d6bff9044a/IMGP3851.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Chanthapone Rajavong, Mystery Untitled (2019), Metal, glass, marbles &amp; plastic 48x10.5x5”.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/19764ac5-038e-4792-a6db-60c657f0eaea/DB2A6807.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Tableaux vivant Performance by Jonas Dos Santos &amp; Chantaphone Rajavong.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/cc260f1b-d4a6-4de2-bbef-bcb598294cb3/IMGP3853.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>JONAS DOS SANTOS, Transition: i was now I am, 2019, Acrylic, novagel, and grommets on paper, Dimensions variable.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/ab9ab59e-ebd4-441d-aacf-fd5b28cd16e4/DB2A6814.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Tableaux vivant Performance by Jonas Dos Santos &amp; Chantaphone Rajavong.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/1651786453906-1T82HVLL0O0D3LR54IUC/IMGP3854.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Devon Reiffer, (American, Born 1987) It’s Adam &amp; Eve, Not Adam &amp; Steve (2013), Gesso &amp; charcoal on unstretched canvas, 67x72”.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/ffb32fa1-c64b-4be7-9f56-a1a5fbe804d0/DB2A6859.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Wit Lopez performance</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/1651786381150-SUNREY6E3KQEXKONDXRD/IMGP3855.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Devon Reiffer, (American, Born 1987) For Which It Stands, (2018), Gesso, charcoal &amp; pastel on unstretched canvas, 30x44”.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/1f278721-02d1-44ac-a558-2b9427e26651/DB2A6860.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Wit Lopez performance</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/664934f7-0988-4f23-8071-6604e11fbec4/IMGP3861.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/eaa20d8f-fa71-40de-9976-dc57c22f98fe/DB2A6865.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Wit Lopez performance</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/9d2c29e3-0d55-431c-9afb-882c6ffe6ac1/IMGP3862.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>H.D. Ivey, (American, Born 1949), Bachelor Bride, (2018), Wood, steel, bronze &amp; enamel paint sculpture, 60x24x36”.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/b4259e06-9136-4847-a972-843a57081b1b/DB2A6868.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Wit Lopez performance</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/1651786562102-XSMSGW4RFCTKBA82GHFT/IMGP3865.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Noemi Charlotte Thieves, The Corpse of Syed Atif Ali Hashmi, found at his home after an explosion while preparing a bomb intended to be used in a terrorist attack 2019, Plaster, steel wire, paper, clothing, photographs on wood 48x25x12”.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/981fc10d-40c8-4b86-89ed-5183ee4518da/DB2A6869.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Wit Lopez performance</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/bd97f01f-edb7-4c0c-adc1-667bf6a08350/IMGP3871.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Alden Cole, (American, born 1944), Hymn 2 Him, (2017), Found object assemblage, 38x14x7”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/e473eee4-9859-4c9e-a7a3-2b34fe2e4d37/DB2A6871.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Wit Lopez performance</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/6045ffec-4590-431e-83d5-c83838311626/IMGP3874.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Detail, Alden Cole, (American, born 1944) Hymn 2 Him, (2017), Found object assemblage 38x14x7”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/b510c9bd-78d8-43f3-8eac-f89f510ebd16/DB2A6874.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Wit Lopez performance</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/1651787205660-Z078DNQVQLZG61WXJXPL/IMGP3883.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Detail, Andrew Guth, (American, Born 1973) Orion (Tales I Wish He Had Told Me) (20190, Acrylic, yarn, gold leaf, graphite, photographs, and ephemera on paper 83.5x162.5”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/c5c74dc9-eaba-4735-bb18-2f2c8ed493ee/DB2A6723.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Performance Vitche-Boul Ra</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/1651787067001-GE9WFL79BFXZZ3W8HHCQ/IMGP3887.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Detail, Andrew Guth, (American, Born 1973) Orion (Tales I Wish He Had Told Me) (20190, Acrylic, yarn, gold leaf, graphite, photographs, and ephemera on paper 83.5x162.5”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/58e57fe4-5e01-4722-80f2-9f9aae639661/DB2A6726.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Performance Vitche-Boul Ra</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/1651787184140-60UINXAISLSVIPAP11XJ/IMGP3889.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Detail, Andrew Guth, (American, Born 1973) Orion (Tales I Wish He Had Told Me) (20190, Acrylic, yarn, gold leaf, graphite, photographs, and ephemera on paper 83.5x162.5”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/2cb26c77-1f72-45d4-afbc-ba1b4de7ff37/DB2A6727.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Performance Vitche-Boul Ra</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/1651787125322-ONAL24D144UDCMIU5F5J/IMGP3890.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Detail, Andrew Guth, (American, Born 1973) Orion (Tales I Wish He Had Told Me) (20190, Acrylic, yarn, gold leaf, graphite, photographs, and ephemera on paper 83.5x162.5”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/9a3be5ea-49de-475d-820b-006d7cf5511b/DB2A6728.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Performance Vitche-Boul Ra</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/96253c2c-3f35-4f86-b18d-313d3a0a32e3/IMGP3892.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Detail, Andrew Guth, (American, Born 1973) Orion (Tales I Wish He Had Told Me) (20190, Acrylic, yarn, gold leaf, graphite, photographs, and ephemera on paper 83.5x162.5”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/63666f10-39c9-4c9d-a0f0-2551d3240e02/DB2A6729.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Performance Vitche-Boul Ra</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/1651787051567-WOEMZ0UY58Q55QL3I9SF/IMGP3898.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Detail, Andrew Guth, (American, Born 1973) Orion (Tales I Wish He Had Told Me) (20190, Acrylic, yarn, gold leaf, graphite, photographs, and ephemera on paper 83.5x162.5”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/cb23e818-da02-4b0b-ba31-5c59ae4a47fe/DB2A6735.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Performance Vitche-Boul Ra</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/97f5265d-dfe8-4d7f-93ad-01844887e9a4/IMGP3894.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Detail, Andrew Guth, (American, Born 1973) Orion (Tales I Wish He Had Told Me) (20190, Acrylic, yarn, gold leaf, graphite, photographs, and ephemera on paper 83.5x162.5”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/9f8336c5-f00d-48a4-b721-3ec896f30335/DB2A6736.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Performance Vitche-Boul Ra</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/6986e181-3c05-4fa1-8475-8bd2d85462ab/IMGP3900.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Santiago Galeas, (American, Born 1991) Noor, (2018), Oil on canvas, 24x24”.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/2353de64-3e74-4dcb-b4ae-12464e6af799/DB2A6739.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Performance Vitche-Boul Ra</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/abd5fa83-20fa-46ed-b2c9-7f23431a0e02/IMGP3877.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Gabriel Martinez, (American, Born 1967) AIDS Code Red, 2019, Sanded denim on linocut mounted on wood panel, 36x24”.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/353f863e-69c6-47d4-80e9-35e7623845f2/DB2A6743.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Performance Vitche-Boul Ra</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/cecfb4a0-66f7-4734-83ff-2b27ae829324/IMGP3901.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Ralfka Gonzalez, (American, Born 1958) 3 Muxes, (2011), Acrylic on tin over wood frame, 35x25.5”.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/9fed7fdb-1f76-42dc-bd79-997f2b027067/DB2A6744.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Performance Vitche-Boul Ra</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/1651870802956-MFTM0ZJZBM7QCMOCLJZ5/IMGP3907.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Warren Muller, (American, Born 1946) Little Why Be Blue, (2019) Found objects light. 36x36x24”.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/7fb91c17-c214-4cdb-a6e8-84cf79d911c7/IMGP3909.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Warren Muller, (American, Born 1946) Little Why Be Blue, (2019) Found objects light. 36x36x24”.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/1652216114080-TOWN9OZRBHKMAHYDYXIY/IMGP3951.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>H.D. Ivey, (American, Born 1949) Court of No Appeal, (1991), colored pencil &amp; paint on wood, 34x17”.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/1652215450776-B2Y6915RR6U2E0ZSGE7O/IMGP3957.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Gerard Silva, (American, Born 1972) Homo, (2019), Serigraph, gouache, watercolor, ink on paper, 25.5x28.5”.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/1652215851206-X9L1KZ22EDOFQMPCRVX4/IMGP3923.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Julien Tomasello, (American, Born 1970) Last Dance, Mixed media collage Diptych on canvas, (2017), 18x72”.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/6372fb0c-68b1-4e1d-8a98-3f6eb1bfd07f/Brian+Denis+Cluster-02-SE01.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Brian Dennis, (American, Born 1959) Cluster 2.0 SE 01, (2019), Archival print &amp; mixed media, 28x28”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/7f9f7590-e3b1-44b3-98e0-a68342fb36ff/Corliss+Cavalieri+Torso+85+X+74.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Corlis Cavalieri, (American, Born 1958) O.2.B.K. (Diptych), Detail. (1988), Oil on linen 86x120”. (each panel 86x60”).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/ce65ef1e-9587-4520-9fb3-153ae4f3413a/DB2A6882.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Vicente Ortiz Cortez, (Mexican, Born 1992) #Arroz Con Popote (Logros), (2019) Dyed rice &amp; straws, Dimensions variable.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/2472b478-5ae5-496b-8f61-7a62c637ade9/DB2A6883.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Vicente Ortiz Cortez, (Mexican, Born 1992) #Arroz Con Popote (Logros), (2019) Dyed rice &amp; straws, Dimensions variable.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/019078a7-bbc4-4627-9f99-9b95996b4d42/DB2A6888.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019)</image:title>
      <image:caption>Vicente Ortiz Cortez, (Mexican, Born 1992) #Arroz Con Popote (Logros), (2019) Dyed rice &amp; straws, Dimensions variable.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/eebc7c96-d47b-4b90-a9bf-81371de070ff/IMG_6459.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019) - Make it stand out</image:title>
      <image:caption>Photo credits: Marcus Branch and Chad States (A</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/15b2d94f-7375-4ab1-9a3d-476f5c4f23bd/Philly+Poets+Celebrate+Stonewall+.png</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Stonewall @ 50 (2019) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.casadeduende.com/exhibitions-past/crosby-nursery-k7mpm</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/784fe4d8-c8f3-4399-b37b-28ecdd815808/1.PNG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - States of Desire: Tom of Finland in the Queer Imagination (2020)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/50f0fd2e-a696-460e-8d2d-5ef24cff754e/IMG_9441.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - States of Desire: Tom of Finland in the Queer Imagination (2020) - Make it stand out</image:title>
      <image:caption>Promotional Image for Screening in Puerto Rico.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/79f1bd4d-a861-4d0c-a888-2ffa0017657d/Final_States+of+Desire.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - States of Desire: Tom of Finland in the Queer Imagination (2020) - Make it stand out</image:title>
      <image:caption>Promotional Image for Screening in Colombia, South America.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.casadeduende.com/exhibitions-past/crosby-nursery-k7mpm-2zs7a</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-03-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/1605543085831-Z5FN6K911PMP3XQQ56B8/6_HenryBermudez_Mr+Alexander+von+Humbold+Visits+the+Circus.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - The Unity of Nature; Alexander Von Humboldt in the Americas (2019)</image:title>
      <image:caption>What Mr. Humboldt saw on his Journey to the Orinoco River. (Lo que vio el señor Humboldt en su viaje por el Orinoco), (46” X 63”), Acrylic and cut paper on canvass (2008), Henry Bermudez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/1611514493605-I4M291HAUCYNJENAUALT/Bailando%2Bcon%2Bel%2BCocodrilo.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - The Unity of Nature; Alexander Von Humboldt in the Americas (2019)</image:title>
      <image:caption>The Tiger’s Spiral (El Espiral del Tigre), (26” X 65”), Acrylic on cut paper, (2011), Henry Bermudez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/72292c4e-abab-42f1-89aa-26d2d039306b/Rebeca+Martell+foto+001.jpg.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - The Unity of Nature; Alexander Von Humboldt in the Americas (2019)</image:title>
      <image:caption>Total Eclipse, (55” X 78”), Medium Digital Photography on fabric, 2017, Rebeca Martel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/7b5e12d9-e113-4993-9ed7-92ac273d270d/Rebeca+Martell+foto+002-a.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - The Unity of Nature; Alexander Von Humboldt in the Americas (2019)</image:title>
      <image:caption>Title: La Piedra de los Ojos (The Stone of the Eyes), (55” X 78”), Medium Digital Photography on fabric, (2017), Rebeca Martel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/13dcd6b3-4084-4bf6-a3cf-a7238cbafef4/Rebeca+Martell+foto+003-a.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - The Unity of Nature; Alexander Von Humboldt in the Americas (2019)</image:title>
      <image:caption>La Felicidad Concedida (Happiness Granted) (55” X 78”), Medium Digital Photography on fabric, (2017), Rebeca Martel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/3598fd9f-cb74-4f80-893a-6cafcdfc2869/Rebeca+Martell+foto+004.jpg.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - The Unity of Nature; Alexander Von Humboldt in the Americas (2019)</image:title>
      <image:caption>La Alegría Inesperada ( Unexpected Happiness), (55” X 78”), Medium Digital Photography on fabric, (2017), Rebeca Martel.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/5bf482af-e899-48cf-8bb8-a505f2f2f77e/Turkey+Totem+1+Pedro+Ospina.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - The Unity of Nature; Alexander Von Humboldt in the Americas (2019)</image:title>
      <image:caption>Turkey Totem, Recycled packaging material recycled wooden spool, (2019), Pedro Ospina.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/90f7339f-7713-4b23-84a7-739b2052ce34/IMGP4277.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - The Unity of Nature; Alexander Von Humboldt in the Americas (2019)</image:title>
      <image:caption>Turkey Totem, Recycled packaging material recycled wooden spool, (2019), Pedro Ospina.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/4ebfccd0-d505-40bc-b16e-e62cf16744c0/Turkey+Totem+Pedro+Ospina.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - The Unity of Nature; Alexander Von Humboldt in the Americas (2019)</image:title>
      <image:caption>Turkey Totem, Recycled packaging material recycled wooden spool, (2019), Pedro Ospina.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/f9d1b6bc-4a38-4848-a092-56375356e339/IMGP4283.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - The Unity of Nature; Alexander Von Humboldt in the Americas (2019)</image:title>
      <image:caption>Turkey Totem, Recycled packaging material recycled wooden spool, (2019), Pedro Ospina.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/d9037352-6b44-40e0-86b5-5cbdd4b5dea7/Turtle+Totem+3.+David+Acosta.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - The Unity of Nature; Alexander Von Humboldt in the Americas (2019)</image:title>
      <image:caption>Turtle Totem, recycled packaging material recycled wooden spool, (2019), Pedro Ospina.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/e46e243b-7ece-4c69-93a1-f0c6790751ec/Turtle+Totem+Pedro+Ospina.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - The Unity of Nature; Alexander Von Humboldt in the Americas (2019)</image:title>
      <image:caption>Turtle Totem, recycled packaging material recycled wooden spool, (2019), Pedro Ospina.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/5752eef4-5f36-4eca-992e-08c511078520/Wolf+Totem+2+David+Acosta.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - The Unity of Nature; Alexander Von Humboldt in the Americas (2019)</image:title>
      <image:caption>Wolf Totem, Recycled packaging material, recycled wooden base, (2019), Pedro Ospina.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/7ad047c4-51e3-4e2a-8e58-6deff96b6998/Wolf+Totem+3+David+Acosta.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - The Unity of Nature; Alexander Von Humboldt in the Americas (2019)</image:title>
      <image:caption>Wolf Totem, Recycled packaging material, recycled wooden base, (2019), Pedro Ospina.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/2123bc23-36cb-4c77-939e-624e3daecaaf/Wolf+Totem+David+Acosta.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - The Unity of Nature; Alexander Von Humboldt in the Americas (2019)</image:title>
      <image:caption>Wolf Totem, Recycled packaging material, recycled wooden base, (2019), Pedro Ospina.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/72501685-0e36-4bd3-a020-ee2953b3e5c1/IMGP4266.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - The Unity of Nature; Alexander Von Humboldt in the Americas (2019)</image:title>
      <image:caption>Wolf Totem, Recycled packaging material, recycled wooden base, (2019), Pedro Ospina.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/73fdd496-3b95-4452-85f5-e675659e5fd9/IMGP4272.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - The Unity of Nature; Alexander Von Humboldt in the Americas (2019)</image:title>
      <image:caption>Wolf Totem, Recycled packaging material, recycled wooden base, (2019), Pedro Ospina.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/835090a3-7fb8-40b8-97ce-6ba258957339/IMGP4333.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - The Unity of Nature; Alexander Von Humboldt in the Americas (2019)</image:title>
      <image:caption>Performance, Salome Cosmique.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/b3d56890-1bcf-414d-89f2-5715fb7811ff/Pacha+Mama.+Salome+Cosmique.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - The Unity of Nature; Alexander Von Humboldt in the Americas (2019)</image:title>
      <image:caption>Performance, Salome Cosmique.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/644679bf-52ec-4108-8fa1-98363665405b/Pacha+Mama+Salome+Cosmique+1.JPG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - The Unity of Nature; Alexander Von Humboldt in the Americas (2019)</image:title>
      <image:caption>Performance, Salome Cosmique.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/ad56a9ad-36aa-4ffb-ba5c-196a7abd2a1a/Asher+Sound+Scape.png</image:loc>
      <image:title>Past Exhibitions &amp; Programs - The Unity of Nature; Alexander Von Humboldt in the Americas (2019)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/056e5073-3552-4402-9413-11b3b96491c2/The+Unity+of+Nature--1200x1200+copy+2.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - The Unity of Nature; Alexander Von Humboldt in the Americas (2019)</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.casadeduende.com/exhibitions-past/clay-ceramics-7lbg8</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-03-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/4aa97150-c74c-40f3-8c24-90ba5dfbd487/Brujo+de+La+Mancha+Rooted+Reception+11-5-10+9.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Rooted in Ancestors (2010)</image:title>
      <image:caption>Brujo de La Mancha. Altar to the dead who die crossing the US/Mexico Border.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/8aba485f-d1e9-4ebd-922f-ac9085400bfe/Jane+Madrigal+Rooted+Reception+11-5-10+11.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Rooted in Ancestors (2010)</image:title>
      <image:caption>Jane Madrigal, Altar to the Ancestors.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/1f89c907-1db9-446f-a269-fa879a93ba46/John+MacDaniel+Rooted+Reception+11-5-10+8.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Rooted in Ancestors (2010)</image:title>
      <image:caption>John MacDaniel, Voodoo Altar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/4da2427d-bb4f-4d67-a52f-f701916557ca/Nanette+Clarck+Rooted+Reception+11-5-10+7.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Rooted in Ancestors (2010)</image:title>
      <image:caption>Nannette Clark, Voodoo altar.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/205b6e42-3dea-4c27-a440-f7e407a0a50d/Pete+Ospina+Rooted+Reception+11-5-10+10.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Rooted in Ancestors (2010)</image:title>
      <image:caption>Pedro Ospina, Altar to the Dead.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/0805047d-68fd-4d9e-9f69-2cca65769cce/Rooted+Reception+11-5-10+6.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Rooted in Ancestors (2010)</image:title>
      <image:caption>Robert Phillips, Irish Altar to the dead.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/742723be-6014-409c-8f5a-c3652565b8cb/Rooted+Reception+11-5-10+16.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Rooted in Ancestors (2010)</image:title>
      <image:caption>Nannette Clark, John MacDaniel, &amp; Jane Madrigal.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/fbcbc332-a9e1-46b8-8906-e3a622884a37/Rooted+Reception+11-5-10+4.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Rooted in Ancestors (2010)</image:title>
      <image:caption>Brujo de la Mancha</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/b2a32929-7ca3-41f0-b83c-c34bf0041803/Rooted+Reception+11-5-10+3.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Rooted in Ancestors (2010)</image:title>
      <image:caption>Guests at opening reception.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/96c55acf-7fe9-4f4b-835c-fd456262c1e4/Rooted+Reception+11-5-10+5.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Rooted in Ancestors (2010)</image:title>
      <image:caption>Welcoming the dead ritual. Betsy Casañas and Brujo de la Mancha.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/2c9c0ef0-3cec-4ece-9593-fbe48f8c55f4/Rooted+Reception+11-5-10+14.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Rooted in Ancestors (2010)</image:title>
      <image:caption>Artists and guests at reception.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/39b065c8-67df-442d-b7b3-50162f7d481a/Rooted+Reception+11-5-10+12.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Rooted in Ancestors (2010)</image:title>
      <image:caption>Guests at reception.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/1611603871143-W8XD4CKSK5P7WIIQWNCV/IMG_0230.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Rooted in Ancestors (2010)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/1613845288890-8KT63YPRDMQV7OADRPZ8/Rooted%2BReception%2B11-5-10%2B13.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Rooted in Ancestors (2010) - Curatorial Statement</image:title>
      <image:caption>Rooted In Ancestors is an invitational show asking nine artists to explore the creation of altars as filtered through their own cultural experiences of honoring ancestors. Their individual approach to the curatorial call (the creation of altars) is varied, rich, diverse, and deeply personal.  Some of the artists have chosen to focus their altars on honoring the lives and memories of loved ones through the use of visual and referential elements including photos, mementos, and personal objects, while others have chosen a more universal view of the subject, referencing nature, migration, religion, and the role that healers play in guarding the sacred knowledge that is part of what is passed down from one generation to the next. The undertaking of curating this show has been an enriching, rewarding, humbling, and transformative experience. I thank all of those involved for such blind trust. Through this process I have had the pleasure of working with both of Semilla's founders, Betsy Cazanas, and Pedro Ospina, as well as meeting new artists whose generosity of spirit in giving of themselves for this show without remuneration, defines the very essence of community, and honors the legacies of those who came before. Their voices are captured by Rafael Damast in his video documenting the show. To Rafael, thank you for creating this video without reward, your generosity exemplifies art as a reciprocal gift.  As the show’s curator I am also deeply aware of the risks inherent in asking these nine artists to respond to the subject of ancestors. There are personal risks when you ask any individual (whether they are artists or not) to remember the past:  to mine memory, love, loss, joy, pain; to open doors. I am also profoundly aware that I am asking you, the viewer, to do the same. Thank you for taking the risk. I hope you find the experience of this show rich and rewarding; a way of remembering, of honoring, and reexamining the past, which is intrinsically tied to how we imagine a future. Sincerely, David Acosta, Curator Rooted in Ancestors</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.casadeduende.com/exhibitions-past/project-four-l3zw3-rya5z</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/1708971459212-2I7VA7FGF3THXHNWP8KS/Under%2BOne%2BSky%2BBook.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Catalog of Under One Sky Exhibition, published by Tursulowe Press. Visit press @ https://www.tursulowepress.com.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/c620d306-8004-4ee4-bc49-3bb9c5a87259/01.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Young Ethiopian Refugees, 2002 Digital pigment print 20 x 14 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/3f2812cb-ba6f-4fc8-bc07-7cccbcca6621/HarveyInColor-1.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Harvey Finkle: Harvey Finkle is a documentary still photographer whose interests extends to social, economic, cultural, and political issues. Harvey first began photographing immigrants in 1977, Jewish survivors of the holocaust; in 1982-83, the resettlement of the Indochinese; in the 1980’s, the Sanctuary Movement; in the 1990’s, as well as his photograph series titled Urban Mosaic which documents 10 immigrant families living in one city to highlight ethnic globalization. His documentation of the New Sanctuary Movement resulted in the publication of a book Faces of Courage, a book of photographs celebrating the 10th anniversary of the New Sanctuary Movement, published in 2021. He has exhibited at numerous galleries and venues including the Institute of Contemporary Art, The Painted Bride Center, National Museum of American Jewish History, Cornell University, and the Art Alliance Among many others. His work in in both private and public collections including the Free Library of Philadelphia, The Newseum, NYC, and the School of Social Policy and Practice, University of PA. Harvey’s entire oeuvre is currently being archived at the Kislak Center for Special Collections, University of Pennsylvania.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/22b8652e-9d7e-4600-ba0f-1cc8d42d8a91/02+Unban+Mosaic-Peruvians9.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Peruvian Mother and Son, 1999 Digital pigment print 20 x 14 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/80c98b3c-cc80-4e7b-949a-dd9faff6d824/03+Unban+Mosaic-Liberians2.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Liberian Dancer, 2012 Digital pigment print 11 x 17 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/f9a4f6a2-9548-47a1-affe-0bc6fc4798a7/04+Unban+Mosaic-Peruvians27.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Peruvians Honor El Señor de los Milagros at St. Williams Catholic Church, 2001 Silver gelatin print 12 x 18 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/6f706ad2-e53d-4e64-83fc-c05f199c1456/05+Unban+Mosaic-Sierra+Leone7.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Sierra Leone Dukuray Family Preparing for Church, Philadelphia, 2002 Silver gelatin print 12 x 18 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/42697f85-6d5b-41de-bb97-6948facf5b47/2-Jamaicans+at+a+House+PartyR300.jpg-2001.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Jamaicans at a House Party, 2001 Silver gelatin print 12 x 18 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/13a3f5fa-42a8-4272-bde2-8b5a789b7f94/07-Cambodian+Refugees.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Cambodians Party at Home with Neighbors, 1982, Digital pigment print 14 x 20 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/8206f98f-4110-4315-93eb-8591b506967c/08-Nepal.jpg%2835%29.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Refugees from Nepal celebrate Harvest, 2013, Digital pigment print, 14 x 20 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/1c5492d4-107d-40aa-b363-88c5c2381964/09-Cambodian+Refugees-24.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Cambodian Refugees Celebrate at Their Temple, 2011, Digital pigment print 20 x 14 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/e628a802-79c8-4d17-a959-979c5e503787/10-SP-Mexican+copy.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Immigrant Artist from Mexico, 2009, Digital pigment print, 14 x 20 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/4a97eb7f-4e66-427f-be70-585ddf3f2e66/11-Cambodian.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Cambodian Outside Her Temple, 2013, Digital pigment print, 14 x 20 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/2259d27b-de52-4047-a1cf-f7e4a8de8784/12-SP-Burmese.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Refugee From Burma, 2012, Digital pigment print, 14 x 20 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/7ad392a8-ec59-4cb1-ad1b-2029ce01adb5/13-SP-Mexican.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Public School Celebrates Mexican Holiday, 2008, Digital pigment print, 14 x 20 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/1db3ddbe-9fa2-42f1-a0a5-75965bded43f/14-IndonesiaMuslim-23a.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Indonesians at Mosque, 2011, Silver gelatin print, 12 x 18 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/b7a5aa22-8b0a-4de4-94a6-d551e810034f/15+IMG_8052.PNG</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Nepalese Wedding, 2012, Digital pigment print, 14 x 20 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/e8d01064-adaa-4a16-9496-af5b6eec003c/16-Nepal.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Nepalese Bride and Mother, 2011, Digital pigment print, 14 x 20 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/e46b995b-0853-445b-9262-9907d3bd461d/1-SP-Burmese.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Refugees from Burma, 2011, Digital pigment print, 20 x 14 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/6084029c-4710-4ee0-9f43-8ae944d2a83b/Mexican+Quincea%C3%B1era%2C+2012.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Mexican Quinceañera, 2012, Digital pigment print, 14 x 20 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/1a69d6a7-5acf-459e-a4a6-b85b9b27898e/19+laos11.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Laotians Prepare for Wedding, 1983, Digital pigment print, 11 x 17 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/6eb5d181-3287-485d-87e4-43076085d5bf/20+Urban+Mosaic-CambodiansUrban+Mosaic-Ambodians22.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Cambodian Wedding Groom and Bride, 2002, Silver gelatin print, 12 x 18 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/2f0ced4e-9908-4d8f-8ea6-ea5517d89101/21+laos3.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Laotian Bride, 1983, Silver gelatin print, 8 x 12 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/a799e166-cca8-4310-9b31-92b165f9346d/22+laos12.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Laotian Wedding, 1982, Silver gelatin print 12 x 8 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/f48a2419-2fca-42d3-8837-6ea96ffcbf3e/SPHS-14.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Cambodian Monk Supports Asian Students About Being Bullied at SPHS, 2010, Digital pigment print, 14 x 20 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/41719509-cd64-4d71-a4ab-c682d7261fb4/24+SPHS-6.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>South Philly High School Asian Students Petition the School Board to Protect Them from Being Bullied, 2010, Digital pigment print, 14 x 20 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/032f5805-0c5a-4efb-a353-6a1d8be35967/26+IMG_8040.jpeg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Dreamer Activist Demonstrating at Federal Courthouse, 2013, Digital pigment print 20 x 14 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/089a2418-b9f4-4cf5-8087-b800bf069bed/27+Labor+Activism-++195.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Mexican Mushroom Workers Struggle to Unionize, Kennett Square, 1994, Digital pigment print, 14 x 20 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/463e7c23-9004-4424-bf17-46c12b65b01a/31+NSM%26JUNTOS-2014-b%26w-2.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>New Sanctuary Movement Protests ICE Activities, 2014.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/1b097cda-26a5-4250-a1fd-7ed90f4b40c5/35.-Nepal.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Refugees from Nepal, 2011, Digital pigment print, 14 x 20 inches,</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/0c677bc9-1b40-4cf9-9991-af293200735d/36+IndonesiaMuslim-19.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Indonesian Muslims at Their Row House Mosque, 2015, Digital pigment print 14 x 20 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/30504047-371a-42d8-bac7-5769696d98eb/4.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Religious Leaders at Ethiopian Temple, 2000, Digital pigment print, 14 x 20 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/0d2bde2b-2187-4357-b7eb-b9d10285a5e0/38+IndonesianMuslim-32.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Indonesian Muslims at Their Mosque, 2015 Digital pigment print, 14 x 20 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/a8eb0a2d-82e8-496b-91c5-453f93c9b3c8/9-Ethiopian+Temple+Service.jpg-2012.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Ethiopian Immigrants in Prayer at Temple, 2001, Silver gelatin print, 12 x 18 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/437dc968-fc05-44c6-9f72-a0497b30cbed/5+2.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Sikh Ravi Singh's Father in Prayer, 2001, Silver gelatin print, 12 x 18 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/4772bf8b-946a-4f8f-995a-5b9171398404/2-Cambodian+Refugees.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Cambodian Temple, 2011, Digital pigment print, 14 x 20 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/918626bb-bb7d-4591-be7b-4bc303dda4df/42+Urban+Mosaic-CambodiansUrban+Mosaic-Ambodians24.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Celebrating Cambodian Festival, 2001, Silver gelatin print, 12 x 18 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/f9893518-adcf-44f1-a22a-183f3aac7e70/44+camb-Tet-23.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Cambodian Tet Celebration, 1982, Silver gelatin print, 8 x 12 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/6898875d-5000-4131-bebb-5cbe4045c4c4/4-Cambodian+Dancer+atHouse+Party+with+Neighbors.jpg1982.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Cambodian Dancer at House Party with Neighbors, 1982, Silver gelatin print, 8 x 12 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/b67ff8c6-03c6-41f7-99a3-d8ba045834af/47+camb13.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Cambodian Dancers at House Party, 1983 Silver gelatin print 12 x 8 inches.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/8affab80-bd36-4c9b-98c1-a8f61f3d484b/49+Immigrants-Various30.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Afghani Family in Traditional Ceremonial Dress, 1983, Silver gelatin print, 12 x 8 inches.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Hmong Boy, 1983, Silver gelatin print, 8 x 12 inches.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/b5493359-b7fd-4eab-a8aa-5ac0ac5f295b/52-SP-Nepal-Deaf-Phila.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Deaf Refugee from Nepal, 2019 Digital pigment print, 14 x 20 inches.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/231da97e-95b8-4a46-a2bc-d97b10dffc73/Nepal.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>First Day for Refugees from Nepal in their Apartment, 2012, Digital pigment print, 14 x 20 inches.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/defce643-2c60-4172-8e1a-4a9c46186ce5/54+-SP-Burmese.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Young Boy from Burma in School Auditorium, 2017, Digital pigment print, 14 x 20 inches.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/738399f4-ae80-4a49-80cc-c1118ac82837/92-Cambodian+Refugees-Temple+%40+6th+%26+Ritner.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Young Girl at Cambodian Temple, 2016 Digital pigment print, 14 x 20 inches.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/b1c8b914-91d0-4faf-a576-5fa6094c3dc9/56-SP-Burmese.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Refugees from Burma at Home, 2016, Digital pigment print, 14 x 20 inches.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/12d0240a-7f2a-4c0f-b48d-946f3ef33371/indo18.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Southeast Asians at Home, 1983, Digital pigment print, 14 x 20 inches.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/1e16846d-805e-489d-8410-efb1e7ef9f12/1-Urban+Mosaic-Ethiopia.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Ethiopian Woman Attending Temple, 2010, Digital pigment print, 20 x 14 inches.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/9542c890-0e27-468f-919d-116fcd6916ec/28-SP-Burmese.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Refugees from Burma at House Gathering, 2011, Digital pigment print, 14 x 20 inches.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/0df9c4a5-48c0-484e-8906-9682c2bd9f99/60-SP-Burma.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Refugee From Burma, High School Graduation Party, 2017, Digital pigment print 14 x 20 inches.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/7b451687-7ef7-494d-bf4b-1435f50cc9e1/28.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Sikh, 2000, Digital pigment print, 11 x 17 inches.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/515f0a41-5f19-48b0-89bf-dbe627b7a406/62+hmong10.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Hmong Refugee in Traditional Dress,</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/ee4d9320-f9c0-490f-9b60-37459f9fd93d/Sikh+Ravi+Singh+at+his+Restaurant%2C+Samosa%2C+With+His+Mother+and+Father%2C+2001.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Sikh Ravi Singh at his Restaurant, Samosa, With His Mother and Father, 2001, Silver gelatin print, 12 x 18 inches.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Immigrant Clothing Factory Worker, 1992, Digital pigment print, 11 x 17 inches.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/c2553b8e-b24d-415f-8c29-f632febb3bc6/65+hmong3.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Hmong Child at Schoolyard, 1983, Silver gelatin print, 12 x 18 inches.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Young Cambodian Musical Group, 1983, Digital pigment print, 14 x 20 inches.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Lebanese Father and Son at Bitar Family Store, 2000, Silver gelatin print, 18 x 12 inches.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/d6784f7c-6279-434e-963f-edca6cb7a8c0/68+indo11.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Indochinese Children at Public School Playground, 1983, Silver gelatin print, 8 x 12 inches.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Vietnamese Child in Day Care, 1982 Silver gelatin print, 8 x 12 inches.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Asian Students Attend School Board Meeting About Bullying at SPHS, 2010, Digital pigment print, 14 x 20 inches.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Refugees from Nepal Attend School Registration, 2011, Digital pigment print 14 x 20 inches.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Guatemalan Lucy Morales Playing Cello at Central High School, 2003, Silver gelatin print 12 x 18 inches.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Community Meeting of Immigrants from Mexico, 2016, Digital pigment print 20 x 14 inches.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Mexican Immigrants Celebrate Holiday, 2010 Digital pigment print, 14 x 20 inches.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>Dream Activists Rally at ICE Headquarters, 2014, Digital pigment print, 14 x 20 inches.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
      <image:caption>South Philadelphia Mexican Celebrates Winter Solstice, 2014, Digital pigment print 14 x 20 inches.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/8e815057-e830-412a-af04-58bd0829ae96/Harvey-Finkle-e-vite-%281%29-copy.png</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/b0a73a84-ae25-4e26-a247-c419b881cd4a/Under+One+Sky+Immigration+Panel-13.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Under One Sky: Reflecting Immigrant Communities, The Photographs of Harvey Finkle, 1982 to 2018. - Make it stand out</image:title>
      <image:caption>Panel on the state of Immigration in Philadelphia and the USA, from left to right, Harvey Finkle, Yushan Chou, Thoai Nguyen, Blanca Pacheco, Leticia Roa Nixon, Amy Eusebio, and standing behind them ASL interpreter, Bill Lockard.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.casadeduende.com/exhibitions-past/todos-somos-africa</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-02-15</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/e03e3419-3fa1-45ab-9347-f678a34309f8/Obatal%C3%A1+%2824x36%29300.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Todos Somos Africa (2021)</image:title>
      <image:caption>Obatalá: 2016, (Mixed Media) King and father of all Orishas he is second only to Olodumare a divine entity with no mother or father. Olodumare is the origin of all things he is omnipotent and all knowing. Obatala is the creator of man and the earth which he undertook at the instruction of Olodumare and as such he is the representative of Olodumare on earth. Obatala’s color is white, and he is represented in Santeria by la Virgen de la Merced and Jesus Christ.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/8b5bb1e9-59d8-4c4a-a1bf-9b082c54273c/Ochosi+%2836x24%29300.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Todos Somos Africa (2021)</image:title>
      <image:caption>Ochosi: 2017, (Mixed Media) Ochosi is the Yoruba deity associated with the hunt, with forests and animals. As a deity associated with hunting he lives in the woods and is the provider of food. He is a skilled hunter, fishermen, and is also a sorcerer and a seer. He represents truth and what is just. He is also the enforcer of the rules that govern humanity. His color is blue and gold, and he is associated in Santeria with Saint Hubert.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/f5799ed2-58ff-4a0f-abf6-8c0d415238f8/Ogg%C3%BAn+%2836x24%29300.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Todos Somos Africa (2021)</image:title>
      <image:caption>Oggún: 2017, (Mixed Media) The god of war and metals and a metalsmith. He is a powerful Orisha considered the god of civilization because he created the tools that made civilization possible. He is the owner of all metals and as such is the patron of all professions that require the use of tools, such as architects, mechanics, surgeons, engineers, drivers among many others. He works closely with his brother Eleggua to clear obstacles from one’s path. In Santeria he is associated with St. Peter.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/c09e6d4b-5e87-4792-92da-3990956a65ff/Oko+%2824x36%29300.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Todos Somos Africa (2021)</image:title>
      <image:caption>Oko: 2016, (Mixed Media) Orisha associated with the earth, with crops and with farming. He works closely with his brothers Ochosi and Oggún. In Santeria he is represented and associated with Saint Isidro. He is also associated with fertility, good fortune and health. He is also incredibly just, and he is considered a judge among the Orishas who call upon him to settle disputes.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/283efc7f-7ef7-4e08-a21e-d6087c02c263/Olodumare+%2824x36%29300.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Todos Somos Africa (2021)</image:title>
      <image:caption>Olodumare: 2017, (Mixed Media) Olodumare is the supreme being, he has no beginning nor end as he was not born of a father and a mother. He has always existed, and he is the creator of heaven and earth, he is night and day, and he is the ultimate juror of mankind. He is an aloof being who does not involve himself with the daily routines of human beings which he leaves to the Orishas. His name means owner of the universe. While the Orishas are seen as punishers it is Olodumare who stands upon final judgement over the souls of the dead. He is father of all and is represented by the sun. One way to think about him is that he is similar to the supreme being of other religions.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/2867aab9-bd33-4c53-9dcb-a66ccbe0e98b/Orula+%2824x18%29300.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Todos Somos Africa (2021)</image:title>
      <image:caption>Orula: 2016, (Mixed Media) Is the Orisha representing wisdom and is seen as a god of prophecy and destiny. He is one of the most important of the Orishas. He is the god who presides over the oracle of Ifa and over the ceremony of Ita. Towards the end of the initiation ceremonies the initiates must go and consult with Orula, this is the ritual known as “ita”. The outcome of this divination ceremony determines many aspects of the initiates life from that moment forward including prohibitions against certain habits, such as dress, and how one should comport oneself, even what types of foods one is allowed to eat, and which must be avoided. The result of the consultation becomes a guide for the future behavior of the Santero/a.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/040cb68f-a83b-4000-820a-f80e2393d839/Osh%C3%BAn+%2824x18%29300.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Todos Somos Africa (2021)</image:title>
      <image:caption>Ochún: 2016, (Mixed Media) The most beautiful of the Orishas she is the goddess of love, beauty the feminine, she is also a goddess associated with fertility, with beauty and with wealth. She is the goddess of rivers and waterfalls and besides Obatala is the only one who has direct access to Olodumare as she asks him for favors to help humanity. This is in part because she is a primordial spirit and was sent by Olodumare to help create the world. She is revered for being kind, loving and generous. She is represented in Santeria with Our Lady of Charity.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/0b3cfde1-d85c-4bc4-aac8-4d0e281e3e1b/Ossain+%2836x24%29300.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Todos Somos Africa (2021)</image:title>
      <image:caption>Ossain: 2016, (Mix Media) The importance of Ossain as the god of nature, plants, animals, rocks, and all living things cannot be underestimated as he rules over all things used in the sacred rituals of Santeria. Without him there is no ritual. He is a healer a seer and his birth brought all that is good and beautiful into the world.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/4f19d870-ddb8-43a8-9831-68337abc26e1/Oy%C3%A1+%2836x24%29300.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Todos Somos Africa (2021)</image:title>
      <image:caption>Oyá: 2016, (Mixed Media) Oya is the only female warrior among the Orishas. She controls storms and the wind. She is also a witch and the patroness of death. In Cuba she is said to guard the door to the cemeteries. She is the only Orisha able to use her husband Chango’s thunderbolt. The name “Oya” means to “tear apart” which is a direct reference to her powers of commanding the wind in powerful storms. She is represented in Santeria with la Virgen de la Candelaria.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/0f131d6c-b003-46e5-864b-33d0bf63cc72/Shang%C3%B3+%2824x18%29300+copy.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Todos Somos Africa (2021)</image:title>
      <image:caption>Shangó: 2016, (Mix Media) Perhaps one of the most popular of all the Orishas. A powerful, tall, handsome and fierce warrior he is just and loyal. He is the god of fire, thunder and the thunderbolt. He loves music and dance and is considered a great lover having had intense relationships with many of the female Orishas three of which became his wives: Oya, Oshun, and Obba. The drums which are central to the worship of the Orishas are sacred to him as are the dances. He represents the joy of living life, male beauty, knowledge and wealth. He was originally the first owner and interpreter of the oracle of ”Ifa” which he gave to Orula and is the interpreter of the Diloggún, the form of divination in the Yoruba religion. His colors are white and red, and he is represented in Santeria by Santa Barbara.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/ca6a1ac1-275a-4dff-9991-219bb0035c31/Yemay%C3%A1+Iy%C3%A1+Maoye+%2818x24%29300+copy.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Todos Somos Africa (2021)</image:title>
      <image:caption>Yemayá Iyá: 2016, (Mixed Media) Yemaya is the universal mother, goddess of the oceans and all bodies of waters lakes, rivers, waterfalls. She is the mother of all things that live in the ocean and fish are her messengers. She is the protectress of women and children and presides over all aspects of childbirth and fertility including the amniotic fluid where the baby lives for the first 9 months before birth. Legend has it that after her water broke she gave birth to all of the waters and animals of the ocean including the first humans. In Santeria she is associated with Nuestra Señora de la Regla.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/97a93551-3a71-4026-84cd-2b63e722ba59/todos+somos+africa.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Todos Somos Africa (2021)</image:title>
      <image:caption>Todos Somos Africa, 2016, (Mixed Media)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/0a4ceba6-efdd-4efc-a0a8-7b2c155597f5/africa4.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Todos Somos Africa (2021)</image:title>
      <image:caption>Africa, (2016), (Mixed Media)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/2637c59c-2837-4402-9371-da8eecfe26d6/africa3.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Todos Somos Africa (2021)</image:title>
      <image:caption>Africa, 2016, (Mixed Media)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/09a61cac-4659-49f7-ae94-eaf7d9d99d1a/elegua.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Todos Somos Africa (2021)</image:title>
      <image:caption>Elegua: 2016, (Mixed Media) Perhaps the most important and complex of all the gods of the Yoruba pantheon. He is the guardian of roads. All Santeria rituals begin with Elegguá as he must give permission for the rituals to begin and to continue. He holds the keys to the past, the present and the future and is the first orisha called during the “toque” and he is also the first to be served food before all of the other Orishas. He is mischievous and unpredictable. His colors are red and black. He is associated in Santeria with the Infant of Prague.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/1b0eb1bd-c975-4efa-a8c7-6c02ab4c8fc1/123-1.jpeg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Todos Somos Africa (2021)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/df00ba01-3020-47d6-9607-4f80391e0d57/Salome.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Todos Somos Africa (2021) - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.casadeduende.com/exhibitions-past/5past-watches-ydmny</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2021-03-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/0535de53-a441-4f92-8fdc-dfd94998324e/Corn+Goddess+sm.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Idiots, Icons and Idols (2011)</image:title>
      <image:caption>Corn Goddess, Acrylic on canvas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/bd534963-c02e-43fe-9ad5-07d14a6649ba/Drag+Queen+Sheet.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Idiots, Icons and Idols (2011)</image:title>
      <image:caption>Drag Queen, Acrylic on cloth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/f5d345f5-7fa5-4a55-acbe-55b70b85b937/Anxiety+in+Purgatory.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Idiots, Icons and Idols (2011)</image:title>
      <image:caption>Anxiety in Purgatory, Acrylic on Canvas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/176a7ea5-e775-4c5a-8140-78d3def5263f/El+Clown+Mexicana.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Idiots, Icons and Idols (2011)</image:title>
      <image:caption>El Clown Mexicano, Acrylic on tin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/c2cd33bb-a755-4f54-87fb-6e89bba764cc/Feathered+Snake+Dancers.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Idiots, Icons and Idols (2011)</image:title>
      <image:caption>Feathered Snake Dancers, Acrylic on tin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/36060df7-ba30-44df-b269-2794d82a927a/La+Cena+Diabolica+sm.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Idiots, Icons and Idols (2011)</image:title>
      <image:caption>La Ultima Cena Diabolica, Mixed media on canvas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/7f9b2c97-7a6f-4524-b061-bbf7d3029109/Los+Mortales+Tiempos.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Idiots, Icons and Idols (2011)</image:title>
      <image:caption>Los Mortales Tiempos, Acrylic on canvas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/875c87e4-8741-423f-bbd7-e912c754e1e3/Miracle+in+Zipolite.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Idiots, Icons and Idols (2011)</image:title>
      <image:caption>Miracle in Zipoliti, Acrylic on Canvas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/733a69c3-e43e-4845-92d2-3e5c9f0a09b9/Perro+Que+No+Sale.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Idiots, Icons and Idols (2011)</image:title>
      <image:caption>Perro que no sale, Mixed media on canvas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/e3da8cec-4595-40c1-9674-154875f59e3e/Reclining+Devil.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Idiots, Icons and Idols (2011)</image:title>
      <image:caption>Reclining Devil, Mixed media on canvas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/94fc2cea-2496-4dcf-833b-cdde4b95419f/Silver+idol.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Idiots, Icons and Idols (2011)</image:title>
      <image:caption>Silver Idol, Acrylic on Canvas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/8cdaf7f0-91aa-48cc-91fd-3a05e9dc6f78/Terrroristas+del+Norte+sm.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Idiots, Icons and Idols (2011)</image:title>
      <image:caption>Los Terrorsitas del Norte, Acrylic on tin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/b16f2f9f-b2b8-4d4a-87c3-8e26a59eba59/Transgenic.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Idiots, Icons and Idols (2011)</image:title>
      <image:caption>Transgenic, Acrylic on tin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/f937dc4d-4a53-40db-b4d0-18dac63fcc5b/Venus+sm.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Idiots, Icons and Idols (2011)</image:title>
      <image:caption>Venus, Acrylic on tin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/3864d1eb-d03c-4ed5-b812-d3870ad46a56/Waiting+in+Purgatory.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Idiots, Icons and Idols (2011)</image:title>
      <image:caption>Waiting in Purgatory, Acrylic on canvas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/4ce57c6f-90a2-4195-b80b-297a28ed49bc/Watermelon+Mermaid.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Idiots, Icons and Idols (2011)</image:title>
      <image:caption>Watermelon Mermaid, Acrylic on Canvas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/1613936635384-HWGS0PZL9EMPKPLBUI8E/Invitation+Front.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Idiots, Icons and Idols (2011)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/1614196117034-NAOG18NCNGRYPU1P4DRU/Rafka%2Bon%2BTamalpais%2B4x6.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Idiots, Icons and Idols (2011)</image:title>
      <image:caption>Self-taught queer Chicano artist Ralfka Gonzalez was born in San Antonio, Texas in 1958 and now lives and works in Oakland, California. He has previously lived and worked as an artist in Philadelphia and Chicago, and has spent much of the past quarter century in Oaxaca, Mexico. While in Philadelphia in the 1980s and 1990s, Gonzalez participated in exhibitions at the Pennsylvania Academy of Fine Arts, Arthur Ross Gallery, Taller Puertorriqueño, Nexus Gallery, Afro-American Museum and The Painted Bride among other places. His mural, El Gran Conjunto del Fin del Mundo is on permanent exhibit at the Pennsylvania Convention Center in Philadelphia. (Photograph (Gerald Macdonald)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.casadeduende.com/exhibitions-past/sackett-woodworking-2lha4</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2022-03-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/2462d67d-9e47-4c14-9139-b503a58386a0/_DSC6188.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Encounters with Whitman (2019)</image:title>
      <image:caption>I Hear America Singing, 22.5" X 17.5", Archival Pigment Print, (2009), Jennifer Brinton Robkin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/efcf0d91-5918-4e20-94a1-b4bdce559859/Picture2.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Encounters with Whitman (2019)</image:title>
      <image:caption>Untitled, from the series To A Stranger, Salt Print, (2009), Photographer Amanda Tinker.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/3e53777e-b40e-423d-b5ff-13e463d28141/Amanda_Tinker_1.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Encounters with Whitman (2019)</image:title>
      <image:caption>Untitled #1 (from the series To A Stranger), Salted Paper Print, (2007), Photographer Amanda Tinker.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/d7b734d7-d88e-44fd-9c86-43f27a3fee05/Jordan_Grabuloff_Marcus_Branch_26.png</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Encounters with Whitman (2019)</image:title>
      <image:caption>Jordan Grabuloff, Digital Inkjet Print, (2016), Photographer, Marcus Branch.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/3296c424-8e15-46ea-9d44-24d345d27e17/The+Myth+of+Sisyphus+%28Because+This+is+Where+You+Are%29.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Encounters with Whitman (2019)</image:title>
      <image:caption>The Myth of Sisyphus (Because This is Where You Are), Archival pigment ink jet print, (2011), Photographer, Geoffrey Agrons.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/9c85e98f-e69f-4629-8211-56c310e08a00/Children+of+the+Mountain.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Encounters with Whitman (2019)</image:title>
      <image:caption>Children of the Mountain, Archival Digital Print, (2005), Photographer Tony Rocco.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/78ed30e6-ce68-4acf-8e8e-73add0965270/Picture3.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Encounters with Whitman (2019)</image:title>
      <image:caption>Untitled, photograph, (2018), Jay Roth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/4003b69b-5c7d-44f0-afe5-cbcc11722bfa/Picture5.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Encounters with Whitman (2019)</image:title>
      <image:caption>Mildred Street, Photograph, (2019), Angelo Benedetto.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/fe78d69d-bf6b-430c-bccf-3601a2cd7ef2/Picture6.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Encounters with Whitman (2019)</image:title>
      <image:caption>Untitled (2), from the Stepping Out series, Digital Print, (2017), Photographer, Eddy Rhenals Narvaez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/d2912707-6557-496b-8aeb-dee0f359f261/Picture7.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Encounters with Whitman (2019)</image:title>
      <image:caption>Untitled (1), from the Stepping Out series, Digital Print, (2017), Photographer Eddy Rhenals Narvaez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/77e5ab6f-7fe1-47b0-b8ca-b249db8ef977/Picture8.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Encounters with Whitman (2019)</image:title>
      <image:caption>Alex, Digital Inkjet Print, (2016), Photographer Marcus Branch.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/5403fd28-901a-47ac-92f2-5d8e1a57c8d8/Picture9.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Encounters with Whitman (2019)</image:title>
      <image:caption>Tod, Digital Inkjet Print, (2017), Photographer Marcus Branch.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/a7de6a0e-fd1e-4f25-ac20-0d0e8edc0de2/Picture10.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Encounters with Whitman (2019)</image:title>
      <image:caption>Danny, Digital Inkjet Print, (2017), Photographer Marcus Branch.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/f5974ba6-0080-49b4-be85-b2b067db3c81/Picture11.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Encounters with Whitman (2019)</image:title>
      <image:caption>“Like it is,” Digital Photograph Fine Art Archival Paper (2019), Photographer, Nanci Hellmuth.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/2cd3f1c5-32b0-440f-9447-f8309e27dde9/Picture12.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Encounters with Whitman (2019)</image:title>
      <image:caption>2015-4471, Archival Pigment Ink Jet Print, (2015), Photographer, Howard Brunner.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/912ea1b7-5a98-4872-b540-9052865426af/Picture15.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Encounters with Whitman (2019)</image:title>
      <image:caption>Untitled, Digital photograph, (2019), Photographer, Mario Nascati.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/1612302624683-38T1TKPZUGPLJLFHQNK6/Encounters+with+whitman.png</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Encounters with Whitman (2019)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/e4a8f4e0-8c37-4fba-8dc5-6b261e835d34/AP+%231+-+Whitman+emailer-01+%281%29.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Encounters with Whitman (2019)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/254d3b0e-f61d-4698-b3e8-a2a748d6fc8f/Poets+reading+at+Encounters+With+Whitman.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Encounters with Whitman (2019) - Make it stand out</image:title>
      <image:caption>Poets M. Nzadi Keita and Jim Cory, @ Poetry reading as part of the exhibition Encounters with Whitman. Photo credits: David Acosta.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.casadeduende.com/exhibitions-past/project-one-bpwe4-az8p7</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2023-05-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/1613856851108-Y77BOV4QUS0YQOK4S8YS/Anthology%2B2011%2BGabriel%2BMartinez.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Witness (2011)</image:title>
      <image:caption>Anthology. Gabriel Martinez.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/1613856820316-T2ORISH1RTSK4GH9WD2P/Blood%2BCells%2BChanthaphone%2BRajavong.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Witness (2011)</image:title>
      <image:caption>Red Blood Cells, Chantaphone Rajavong.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/1613857052375-8RWT996EK1K3L63914WR/HD%2BIvey2.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Witness (2011)</image:title>
      <image:caption>The Witness, Harold H. Ivey.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/1613857108157-BZU4QQADXXWVBPBWMDGP/IMGP2357_edited-1.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Witness (2011)</image:title>
      <image:caption>The Last Witness, Susan DiPronio.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/af9de0e1-0392-47a6-aad8-02de724ec7eb/Corral+H.+D.+Ivey1.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Witness (2011)</image:title>
      <image:caption>Corral, Harold D. Ivey.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/456d42b6-c419-4140-b118-77ec015fff6c/Gone...Not+Forgotten+Ed+Hall.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Witness (2011)</image:title>
      <image:caption>Gone...Not Forgotten, Ed Hall.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/1b230e32-9592-4776-ac71-7bee8be8119f/Helping+Hands%2C+Tay+Cha.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - Witness (2011)</image:title>
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      <image:caption>Cascarones, Marta Sanchez.</image:caption>
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    <lastmod>2024-02-26</lastmod>
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      <image:title>Past Exhibitions &amp; Programs - MAD (Mutual Assured Destruction) (2015)</image:title>
      <image:caption>Bagdad</image:caption>
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    <image:image>
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      <image:title>Past Exhibitions &amp; Programs - MAD (Mutual Assured Destruction) (2015)</image:title>
      <image:caption>Bagdad</image:caption>
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    <image:image>
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      <image:title>Past Exhibitions &amp; Programs - MAD (Mutual Assured Destruction) (2015)</image:title>
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    </image:image>
    <image:image>
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      <image:title>Past Exhibitions &amp; Programs - MAD (Mutual Assured Destruction) (2015)</image:title>
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    <image:image>
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      <image:title>Past Exhibitions &amp; Programs - MAD (Mutual Assured Destruction) (2015)</image:title>
      <image:caption>Zero</image:caption>
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    <image:image>
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      <image:title>Past Exhibitions &amp; Programs - MAD (Mutual Assured Destruction) (2015)</image:title>
      <image:caption>Zero (Detail)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5f466886ae4b0e51ca6bf2bd/f826be3d-9c00-4363-85bd-41518b55e932/Zero+detail+sm_edited-1.jpg</image:loc>
      <image:title>Past Exhibitions &amp; Programs - MAD (Mutual Assured Destruction) (2015)</image:title>
      <image:caption>Zero (Detail)</image:caption>
    </image:image>
    <image:image>
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      <image:title>Past Exhibitions &amp; Programs - MAD (Mutual Assured Destruction) (2015)</image:title>
      <image:caption>Zero (Detail)</image:caption>
    </image:image>
    <image:image>
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      <image:title>Past Exhibitions &amp; Programs - MAD (Mutual Assured Destruction) (2015)</image:title>
      <image:caption>Zero (Detail)</image:caption>
    </image:image>
    <image:image>
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      <image:title>Past Exhibitions &amp; Programs - MAD (Mutual Assured Destruction) (2015)</image:title>
      <image:caption>Zero (Detail)</image:caption>
    </image:image>
    <image:image>
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      <image:title>Past Exhibitions &amp; Programs - MAD (Mutual Assured Destruction) (2015)</image:title>
      <image:caption>Zero (Detail)</image:caption>
    </image:image>
    <image:image>
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      <image:title>Past Exhibitions &amp; Programs - MAD (Mutual Assured Destruction) (2015)</image:title>
      <image:caption>Bloodbath</image:caption>
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    <image:image>
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      <image:title>Past Exhibitions &amp; Programs - MAD (Mutual Assured Destruction) (2015)</image:title>
      <image:caption>Bloodbath (Detail)</image:caption>
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    <image:image>
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      <image:title>Past Exhibitions &amp; Programs - MAD (Mutual Assured Destruction) (2015)</image:title>
      <image:caption>Bloodbath (Detail)</image:caption>
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    <image:image>
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      <image:title>Past Exhibitions &amp; Programs - MAD (Mutual Assured Destruction) (2015)</image:title>
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    <image:image>
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      <image:title>Past Exhibitions &amp; Programs - MAD (Mutual Assured Destruction) (2015)</image:title>
      <image:caption>Newborn</image:caption>
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    <image:image>
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      <image:title>Past Exhibitions &amp; Programs - MAD (Mutual Assured Destruction) (2015)</image:title>
      <image:caption>Newborn (Detail)</image:caption>
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    <image:image>
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      <image:title>Past Exhibitions &amp; Programs - MAD (Mutual Assured Destruction) (2015)</image:title>
      <image:caption>Newborn (Detail)</image:caption>
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    <image:image>
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      <image:title>Past Exhibitions &amp; Programs - MAD (Mutual Assured Destruction) (2015)</image:title>
      <image:caption>Newborn (Detail)</image:caption>
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    <image:image>
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    <image:image>
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      <image:caption>Requiem (Detail)</image:caption>
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    <image:image>
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      <image:title>Past Exhibitions &amp; Programs - MAD (Mutual Assured Destruction) (2015)</image:title>
      <image:caption>Requiem (Detail)</image:caption>
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    <image:image>
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      <image:title>Past Exhibitions &amp; Programs - MAD (Mutual Assured Destruction) (2015)</image:title>
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    <image:image>
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      <image:title>Past Exhibitions &amp; Programs - MAD (Mutual Assured Destruction) (2015)</image:title>
      <image:caption>Shadow</image:caption>
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    <image:image>
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      <image:title>Past Exhibitions &amp; Programs - MAD (Mutual Assured Destruction) (2015)</image:title>
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    <image:image>
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      <image:title>Past Exhibitions &amp; Programs - MAD (Mutual Assured Destruction) (2015)</image:title>
      <image:caption>II</image:caption>
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    <image:image>
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      <image:caption>II</image:caption>
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    <image:image>
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      <image:title>Past Exhibitions &amp; Programs - MAD (Mutual Assured Destruction) (2015)</image:title>
      <image:caption>Pistol Pete</image:caption>
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    <image:image>
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      <image:title>Past Exhibitions &amp; Programs - MAD (Mutual Assured Destruction) (2015)</image:title>
      <image:caption>Pistol Pete, wood, metal, leather. 7 and a 1/2 feet tall.</image:caption>
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    <image:image>
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      <image:title>Past Exhibitions &amp; Programs - MAD (Mutual Assured Destruction) (2015)</image:title>
      <image:caption>Pistol Pete (Detail).</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - MAD (Mutual Assured Destruction) (2015)</image:title>
      <image:caption>Pistol Pete (Detail).</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - MAD (Mutual Assured Destruction) (2015)</image:title>
      <image:caption>Pistol Pete (Detail).</image:caption>
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      <image:caption>Pistol Pete glove detail.</image:caption>
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      <image:caption>Pistol Pete detail tooled leather chaps.</image:caption>
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      <image:caption>Pistol Pete metal rattler.</image:caption>
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      <image:caption>Pistol Pete base.</image:caption>
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      <image:caption>Pistol Pete base.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - Kiyoshi Kuromiya: Critical Paths Towards Liberation.</image:title>
      <image:caption>Graduation Photograph of Kiyoshi Monrovia High School.</image:caption>
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      <image:caption>Kiyoshi Kuromiya, Class photo, Monrovia HS 1958.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - Kiyoshi Kuromiya: Critical Paths Towards Liberation.</image:title>
      <image:caption>Black civil rights protest at Independence Hall, May 12, 1963. Courtesy of AP.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - Kiyoshi Kuromiya: Critical Paths Towards Liberation.</image:title>
      <image:caption>Kiyoshi Kuromiya (front row, right) at a University of Pennsylvania antiwar rally in the 1960s. Photo Robert Brand .</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - Kiyoshi Kuromiya: Critical Paths Towards Liberation.</image:title>
      <image:caption>Kiyoshi Kuromiya and Buckminster Fuller, Photo source unknown.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - Kiyoshi Kuromiya: Critical Paths Towards Liberation.</image:title>
      <image:caption>Fuck the Draft Poster.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - Kiyoshi Kuromiya: Critical Paths Towards Liberation.</image:title>
      <image:caption>1945 Kiyoshi's Heart Mountain Internment Camp Records. The records lists members of the Kuromiya Family detained at Heart Mountain.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - Kiyoshi Kuromiya: Critical Paths Towards Liberation.</image:title>
      <image:caption>National United for AIDS Action Act Up Protest, NYC, 1992. Photo Jerry Gregory.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - Kiyoshi Kuromiya: Critical Paths Towards Liberation.</image:title>
      <image:caption>Kiyoshi Kuromiya, University of Pennsylvania, year and source unknown.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - Kiyoshi Kuromiya: Critical Paths Towards Liberation.</image:title>
      <image:caption>"Young people in Rittenhouse Square, 1967", George D. McDowell Philadelphia Evening Bulletin Collection at Temple University Libraries, Special Collections Research Center.</image:caption>
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      <image:title>Past Exhibitions &amp; Programs - Kiyoshi Kuromiya: Critical Paths Towards Liberation.</image:title>
      <image:caption>World War II USA, Anti Japan Propaganda Poster. 1941.</image:caption>
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  </url>
</urlset>

